About this Author

Ernest Miller pursues research and writing on cyberlaw, intellectual property, and First Amendment issues. Mr. Miller attended the U.S. Naval Academy before attending Yale Law School, where he was president and co-founder of the Law and Technology Society, and founded the technology law and policy news site LawMeme. He is a fellow of the Information Society Project at Yale Law School.
Ernest Miller's blog postings can also be found @
Copyfight
LawMeme
Listen to the weekly audio edition on IT Conversations: The Importance Of ... Law and IT.
Feel free to contact me about articles, websites and etc. you think I may find of interest. I'm also available for consulting work and speaking engagements. Email: ernest.miller 8T gmail.com
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Category Archives
July 11, 2005
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CoCo on German Copyright Decisions
Constitutional Code has a great roundup of information on several decisions in German courts regarding the copyfight (German File-Sharing Round-Up: TV P2P & Advertisement). One version of P2P software cannot be distributed, it is illegal to link to allofMP3.com, and although internet portals are protected against damages for linking to sites that permit infringing, injunctions may still issue against them. Read the whole thing.
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Anti-Spoofing Technologies and Grokster
Ed Felten points to a report (behind a firewall) that the RIAA is making the argument that anti-spoofing technologies on P2P networks may be evidence of inducement under Grokster (RIAA Saber-Rattling against Antispoofing Technologies?). Ed is entirely right that anti-spoofing technologies have both good and bad uses (you want to make sure you get a good connection/copy of that open source program). It is unlikely that these technologies alone will create liability (fact dependent Sony test necessary, however). Nevertheless, I can see under Grokster that if a court does find other evidence of intent that, like using an advertising-based business model or not employing filtering, a court could find the use of anti-spoofing technology to be further evidence of intent. So, if there is no initial evidence of intent, anti-spoofing is probably good. But, if the court finds evidence of intent, then anti-spoofing could be found to be further evidence of bad intent. What a mess.
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BBC Blasted for Making Music Freely Available
One would think this is parody, but apparently it is not. The Independent reports that classical music labels are lambasting the BBC for making MP3s of classical music available for free download (Downloading Trouble at the BBC). The BBC has been lambasted by classical music labels for making all nine of Beethoven's symphonies available for free download over the Internet. ... But the initiative has infuriated the bosses of leading classical record companies who argue the offer undermines the value of music and that any further offers would be unfair competition. Managing director of the Naxos label, Anthony Anderson, said: "I think there is a question of whether a publicly funded broadcaster should be doing this and there is the obvious issue that it is devaluing the perceived value of music. You are also leading the public to think that it is fine to download and own these files for nothing." Heaven forfend! via Scripting News
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July 07, 2005
Posted by Ernest Miller
Yesterday, the Hollywood Reporter published an article warning that the Slingbox from Sling Media (which allows you to stream video from their DVR to a computer outside the home) risks a secondary liability copyright lawsuit, just days after the decision in Grokster (Slingbox Could Spark New Lawsuits). The EFF's Fred von Lohmann also sees this as a possibility (First Post-Grokster Cold Front?). He points to the following quotes in the Hollywood Reporter article: - "We're hopeful Slingbox will incorporate technology that will respect copyright," said Dean Garfield, vp and director of legal affairs at MPAA. "You don't have the authority to retransmit license work without negotiation or authorization."
- "Slingbox is one manifestation of what we assume will be a cascade of similar products that are meant to manipulate our signals in ways that we think will be harmful to the network-affiliate business, if not the law," CBS executive vp Martin Franks said.
- "Even if you take it at face value that it is a one-to-one transmittal device, I don't think it will be very long before some hacker in Cupertino posts on the Web the way to modify it, the way they modify a TiVo, that turns it into something that can be tapped by 50 people," Franks said.
All well and good, but my prediction? No lawsuit against the Slingbox, unless it turns out to be far easier to hack it then I imagine (not that it won't be unhackable, but that it will be easily and readily hacked).
Sure, Hollywood could bring a lawsuit, but the device is simply too expensive, too difficult to use and unlikely to be any sort of threat to their revenue models despite any worries they may tell the press. Furthermore, Hollywood would very likely lose. I'm unaware of any evidence that would lead me to believe an inducement charge would be successful, even to a minimal extent. Winning a contributory lawsuit under the Sony standard would be iffy, at best.
It would also be unwise politically. Hollywood wants to control technology, but they don't want to look like they want to control technology. A lawsuit against a fairly innocuous consumer technology isn't going to look good, particularly on Capital Hill.
Does Grokster threaten innovation? Yes, but then, the Slingbox isn't all that innovative.
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Posted by Ernest Miller
Yesterday, James DeLong, a senior fellow for the Progress and Freedom Foundation, wrote that "'collective licensing or a media levy' is a euphemism for turning creativity into a socialist gulag" (More Soothsaying). I characterized that statement as "grotesque hyperbole" (Senior Fellow for Progress and Freedom Foundation Compares Alternative Compensation Schemes to Forced Labor Prison Camps). Today, he defends his statement (In Defense of "Grotesque Hyperbole"). I beg to differ. A tad hyperbolic, perhaps, but not grotesquely removed from the inevitable reality. I beg to differ. James' statement was so ridiculously over the top that, originally, I didn't think it needed any commentary, "I could say more, but James' grotesque hyperbole says enough." Apparently I was wrong.
What part of slave labor prison camp doesn't James DeLong understand? Let me turn to a recent discussion in the Washington Post of gulags by Pavel Litvinov, who was a dissident active in human rights causes in the Soviet Union and now lives in the United States (No American 'Gulag'): The word "gulag" was a bureaucratic acronym for the main prison administration in Stalin's Soviet Union. After publication of Alexander Solzhenitsyn's "The Gulag Archipelago," it became a symbol for the system of forced-labor camps that have been an integral feature of communist countries. Millions of prisoners confined in the gulag had not been involved in violence or committed any crime -- they were there because they belonged to a "wrong" social, national or political group or expressed a "wrong" opinion. ...
There is ample reason for Amnesty to be critical of certain U.S. actions. But by using hyperbole and muddling the difference between repressive regimes and the imperfections of democracy, Amnesty's spokesmen put its authority at risk. U.S. human rights violations seem almost trifling in comparison with those committed by Cuba, South Korea, Pakistan or Saudi Arabia....
Words are important. When Amnesty spokesmen use the word "gulag" to describe U.S. human rights violations, they allow the Bush administration to dismiss justified criticism and undermine Amnesty's credibility. At least Amnesty is referring to actual prisons, as opposed to what James DeLong considers poor public policy choices.
Returning to James' defense: I would apply the epithet [gulag] to any system in which creators and doers must beg government functionaries for permission to exercise control of themselves, their creations, or their property, and this permission can be granted or denied whimsically, according to the functionaries' views of "the public good." Well, gee, that pretty much characterizes most of the United States today as a slave labor prison camp in certain circumstances. Kelo, anyone? Perhaps this quote from Lewis Carroll will illustrate the difficulty with DeLong's definition here: 'When I use a word,' Humpty Dumpty said, in a rather scornful tone,' it means just what I choose it to mean, neither more nor less.'
'The question is,' said Alice, 'whether you can make words mean so many different things.'
'The question is,' said Humpty Dumpty, 'which is to be master - that's all.' Litvinov is correct when he says that words are important. DeLong not only unfairly characterizes alternative compensation schemes, but trivializes the suffering of those caught up in the actual gulag.
Back to James DeLong: Anyone who thinks this system [Fisher's alternative compensation system] will be clear of the corruptions of money, political connections, and political correctness is not living in the real world. Furthermore, anyone who thinks that such a system, even if totally pure, could effective allocate resources and produce results superior to a market needs to read about the history and economics of the 20th Century. It's a seriously flawed policy concept. I've raised numerous objections myself: Those are most of my posts on the issue, not counting my criticisms of some of the voluntary compensation schemes that have been put forth. I yield to no one in my opposition to a compulsory licensing scheme.
But if a compulsory licensing scheme were legislated into being, I don't think that would qualify as a slave labor prison camp.
Not every reduction in freedom, even a significant one, is the same thing as a move into the horrors of the gulag archipelago.
James DeLong ends with a Kantian quote: A classic philosophical statement says that "to will the end, you must will the means." In this case, a variation applies: If you will the means, you will the end. Let me respond with a classic internet statement that "As an online discussion grows longer, the probability of a comparison involving Nazis or Hitler approaches 1." In this case, a variation applies: as a discussion of copyright grows longer, the probability of a comparison involving communists or Soviet gulags approaches 1.
UPDATE 1150PT
Derek Slater has some good thoughts on this issue as well (The Real Fear Mongerers).
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Senate Hearings on Grokster Decision
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July 06, 2005
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Opera Browser Embeds BitTorrent Functionality
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Posted by Ernest Miller
Pam Samuelson weighs in on the Grokster decision in the forthcoming (Oct 2005) Communications of the Association for Computing Machinery.
Read the 7-page paper: Legally Speaking: Did MGM Really Win the Grokster Case? [PDF].
Her answer as to whether MGM actually won Grokster? Not really: MGM didnt really want to win Grokster on an active inducement theory. It has been so wary of this theory that it didnt actively pursue the theory in the lower courts. What MGM really wanted in Grokster was for the Supreme Court to overturn or radically reinterpret the Sony decision and eliminate the safe harbor for technologies capable of SNIUs. MGM thought that the Supreme Court would be so shocked by the exceptionally large volume of unauthorized up- and downloading of copyrighted sound recordings and movies with the aid of p2p technologies, and so outraged by Groksters advertising revenueswhich rise as the volume of infringing uses goes upthat it would abandon the Sony safe harbor in favor of one of the much stricter rules MGM proposed to the Court. These stricter rules would have given MGM and other copyright industry groups much greater leverage in challenging disruptive technologies, such as p2p software. Viewed in this light, MGM actually lost the case for which it was fighting. The copyright industrys legal toolkit to challenge developers of p2p file-sharing technologies is only marginally greater now than before the Supreme Court decided the case. Yup.
Read the whole thing. You'll find that her conclusions are very similar to my conclusions in Kicking the Sony Can Down the Road.
via Constitutional Code
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Posted by Ernest Miller
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July 05, 2005
Posted by Ernest Miller
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July 04, 2005
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German Publisher's Group Pushing to Poison DNS
Constitutional Code brings some disturbing news from Germany (DNS Poisoning Requested From Providers by Rights Organisation). The German rights organisation for composers, lyricist and publishers, GEMA, has asked 42 access providers to poison their DNS servers in order to block sites that provide links to eDonkey files. In short, DNS poisoning obstructs the process of converting a URL to a numeric IP address. The GEMA apparently expects the access providers to configure their DNS servers so that "inquiries by end-users are not passed to the correct server, but to an invalid or another pre-defined side." The GEMA also demands that the providers sign a testimony,with which they commit themselves to ensure full blockage under a contractual penalty of 100.000 euro if any of their customers can still reach the targeted site after July 25th.... In the Pennsylvania child pornography case, slightly reminiscent of this one, new legislation allowed the government to aks access providers to block sites, using DNS poisoning amongst others. In that case there was a law to challenge, constitutional restraints to invoke, a court to review the pressure put on the public (government) - private (users) relationship. While laws may be applicable in the German case, users could "constitutionally" loose out if private demands are enforced by private parties. A judicial review is appropriate here, if for one thing, to test how far decisions to block the information flow can be pushed and taken within the private realm. Even if there's arguably illegal activity involved. Because there always is....arguably. [links, emphasis in original] Definitely not good.
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Posted by Ernest Miller
The debate about the meaning and impact of the Grokster continues.
C.E. Petit of Scrivener's Error has collected his thoughts now that the decision is a few days old (Grokster Conclusion: Everything Old Is New Again). He focuses on illuminating the issues through the "copyright clause" of the US Constitution. "Unjust enrichment"? Where did that sneak in? It's not anywhere in any of the opinions! So why are we considering first-year contract law? Well, the most rigorous answer is "we're not: we're considering the relationship of potential remedy to liability, and that relationship is behind virtually all of the common law." For, in the end, that is what the evidence in Grokster points toward: Use of copyright law to prevent unjust enrichment achieved through violation of an exclusive right. Absent the economic factor, it's a lot harder (not impossible, merely harder) to say that mere technology violates a conception of copyright that reads the Intellectual Property Clause as a whole. [emphasis in original] Ron Coleman makes an interesting connection to some of Clay Shirky's writings ( Marginal Thoughts). Shirkey argues, compellingly, that a simpleminded application of the microeconomic model of marginal value to evaluating marginal content sales of the Internet doesn't, and can't, work. Now note that this has no effect on how the Grokster case should have come out, because he is really talking here about supply and demand and prospective IP regimes -- not about the application of the copyright laws based on the statutory language, stare decisis and that other dusty old stuff. The Shirky piece he links to is Fame vs Fortune: Micropayments and Free Content. The answer is simple: creators are not publishers, and putting the power to publish directly into their hands does not make them publishers. It makes them artists with printing presses. This matters because creative people crave attention in a way publishers do not. Prior to the internet, this didn't make much difference. The expense of publishing and distributing printed material is too great for it to be given away freely and in unlimited quantities -- even vanity press books come with a price tag. Now, however, a single individual can serve an audience in the hundreds of thousands, as a hobby, with nary a publisher in sight. Gary Becker explains some of the difficulties in having judges decide on technology's future potential ( Grokster and the Scope of Judicial Power). But several things concern me about the issues raised by this and related court decisions. I basically do not trust the ability of judges, even those with the best of intentions and competence, to decide the economic future of an industry. Do we really want the courts determining when the fraction of the total value due to legal sales is high enough to exonerate manufacturers from contributory infringement? Neither the wisest courts nor wisest economists have enough knowledge to make that decision in a way that is likely to produce more benefits than harm. Does the fraction of legitimate value have to be higher than 50 per cent, 75 per cent, 10 per cent, or some other number? Courts should consider past trends in these percentages because new uses for say a software-legal or illegal- inevitably emerge over time as users become more familiar with its potential. Must courts have to speculate about future uses of software or other products, speculation likely to be dominated by dreams and hopes rather than firm knowledge? Read the whole thing.
Richard Posner, who wrote the In Re Aimster decision, pushes his conception of how to decide these cases (Grokster, File Sharing, and Contributory Infringement). There is a possible middle way that should be considered, and that is to provide a safe harbor to potential contributory infringers who take all reasonable (cost-justified) measures to prevent the use of their product or service by infringers. The measures might be joint with the copyright owners. For example, copyright owners who wanted to be able to sue for contributory infringement might be required, as a condition of being permitted to sue, to place a nonremovable electronic tag on their CDs that a computer would read, identifying the CD or a file downloaded from it as containing copyrighted material. Software producers would be excused from liability for contributory infringement if they designed their software to prevent the copying of a tagged file. This seems a preferable approach to using the judicial system to make a case by case assessment of whether to impose liability for contributory infringement on Grokster-like enterprises. This is much easier said than done.
The New York Times writes about the fact that P2P will continue to be around after the decision (The Imps of File Sharing May Lose in Court, but They Are Winning in the Marketplace). Nothing particularly new here.
UPDATE 1335PT
This post from Marginal Revolution is from June 27th, but definitely something I should have linked to earlier (Why Economists Should Feel Conflicted About the Grokster Ruling). The bottom line: The welfare economics of music do not resemble those of bread or buttons. Right now we do not even know whether music is being oversupplied or undersupplied, relative to an optimum. Beware of any analysis of this case which does not consider these deeper underlying issues. Read the whole thing.
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July 03, 2005
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Goldman on Recent DOJ Warez Group Busts
Eric Goldman writes about the continued futility of the law enforcement fight against warez groups (Operation Site Down--The Latest Warez Group Bust (vintage 2005)). As I've written previously, the war against warez is ultimately futile. With sufficient enforcement, eventually we can put all of the warez traders behind bars, literally removing them from society to prevent their actions. Otherwise, the threats of criminal enforcement have had no measurable deterrence. Despite the apparent futility of criminal sanctions in preventing warez trading, I've predicted that the DOJ will continue to hunt down and bust warez traders to show Congress that it is taking advantage of the shiny new criminal copyright infringement laws that Congress keeps handing it. [links in original] From his paper The Challenges of Regulating Warez Trading: While the enemy has suffered a few casualties in Congress war against warez, there has been no victory, and it will never come. No quantum of stiffened criminal penalties will change that result. Warez trading is about ego, prestige and reputation, and so long as intangible assets are fenced off, a group of enthusiasts will seek recognition for breaching the fences. In that sense, increased criminal penalties may counterproductively encourage warez trading by making it a little more daring and impressive. If the goal is to reduce copyright infringement, it may actually be that DRM is not only not cost effective, but counter productive. What sort of egoboo can one get for cracking something that doesn't have DRM?
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July 02, 2005
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Hodder: Grokster Victory in 5-8 Years
Mary Hodder's analysis of the ultimate impact of Grokster is very similar to mine (The 5-8 Year Problem: Asking the Ocean To Turn Back Won't Work With Digital Media Tides). In 5-8 years, I think the Grokster problem will be solved by a combination of: 1. business model changes by legacy media; 2. changes in demographics because the fact is there will be a critical mass of users who have grown up with digital models in the heads (who are now young enough not to be of voting age but soon will be); and 3. where enough activity online is about people sharing and trading their own stuff (user generated media). It will be little media makers, supplying their own demands, who will solve this legal problem, first. Legacy media will follow behind them. All those legacy media companies, in order to continue to be as relevant to the masses as they have been in the recent past will have to come to the party and play in order to keep their stuff in front of our eyes. That is, the digital media party online, where they find that in order to participate, they have to give up some control of their copyrighted works, and rethink their models to include things like giving away some media in order to make money in some other place. Apparently she has had a drink of the P2P Kool-Aid as well. See Kicking the Sony Can Down the Road for my take. Time is on our side.
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Posted by Ernest Miller
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Has Apple Got the Podcasting Tiger by the Tail?
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July 01, 2005
Posted by Ernest Miller
Following the decision in Grokster, the Economist comes out in favor a 14-year copyright term, renewable once (Rip. Mix. Burn.). I certainly endorse shorter terms and have for some time, although I would structure it a bit differently. I don't see why there shouldn't be minimal formalities to extend copyright beyond a single year. But that's not my point. What would Grokster look like if we had a maximum 28-year copyright term?
We have to remember that currently, thanks to copyright term extension, not a whole lot of popular culture has entered the public domain since 1923. 1923! That's essentially the entire modern era as far as music and movies are concerned.
What is most interesting to me is to imagine how Grokster might have turned out differently if there had been a much shorter copyright term. For example, classic movies and music through the 1960s would have been legally shareable via these networks when they were launched. I don't have any figures, but I expect that a substantial amount of the music shared was from the 1960s, 1950s and earlier (most of the Beatles' catalog, for example, and Elvis). I also imagine that movies from this era would have been very popular as well. I don't know what the percentage might be, but I'm certain it would have made the networks look much better even to Justice Ginsburg's crew.
We also have to imagine the many mashups and remixes that would be possible with this library of music and moving pictures. Derivative works would certainly be invigorated by a much shorter copyright term and many of these works would likely be released under a Creative Commons license.
The development of the legitimate download market would probably have also benefited, as many different startups would have had access to a substantial library of works with which to entice customers. Many more companies would have entered the space, likely developing much better user interfaces. MP3 players would have come pre-loaded with many classics, greatly increasing their value proposition. Podcasts would benefit. The possibilities are limitless.
It is impossible to know what the percentages of licit and illicit materials would be in a world of original copyright terms, but we might learn a thing or two from books. After all, books have a much longer history. It would be interesting to compare the use of filesharing networks for ebooks and see what the percentages are of licit and illicit materials, since there is a much wider, more popular library of work for books. Of course, such a test wouldn't be definitive, because books are relatively nothing when it comes to bandwidth and so can't take advantage of one of the main benefits of filesharing networks. And books are substantially different from other mediums for other reasons. Nevertheless, such a study might be enlightening.
In the end, the ultimate outcome of the case might not have been any different (after all, you can induce people to infringe with a perfectly legal printing press), but we would probably have had a decision on Sony as well. I think it likely that, with a profusion of legal uses for P2P networks, at least two more justices would have shifted to Justice Breyer's concurrence.
In the many arguments surrounding Eldred v. Ashcroft, the constitutional challenge to copyright extensions for existing works, much was made of the fact that extending copyright wouldn't really encourage the creation of new works. Well, now we see some of the other costs of continual extension of copyright terms. There is collateral damage on technologies of reproduction and distribution. We know the value of this copyright extension, the proceeds of greedy rent-seeking to a small number of companies, but how to measure the cost to innovation?
And I'm not sure how well copyright law has faired thanks to term extensions.
Copyright extension is beginning to look more and more like a devil's bargain for the copyright companies. Among other things, it has probably done a whole heck of a lot to reduce respect for copyright law and encourage copyright infringement. You know, when you remove three generations of popular culture from the public domain including, essentially, two entire mediums, you're going to create tensions, not only with regard to the public at large but in law as well.
One way to look at why the Supreme Court was unable to reach agreement on a reformulation of Sony was because they were unable to reconcile the inconsistency of copyright terms that are, for nearly all intents and purposes, forever, with innovation. Of course there is going to be tension. Unless it is immediately licensed by copyright holders, any innovation in publishing and distribution is going to look illegitimate when the public domain has been so crippled.
Furthermore this tension doesn't really serve anyone, not even copyright holders (assuming they can look beyond the short-term). It increases the cost of creating legitimate businesses (which fosters illegitimate businesses), and makes it more difficult to separate the true bad actors from those whose innovations are merely caught up in the ridiculousness of our current system.
Over-extended copyright terms aren't the root of all evil in our system of copyright, but they're a key source.
via Copyfight
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June 29, 2005
Posted by Ernest Miller
Yesterday, I wrote about Bram Cohen's A Technological Activist's Agenda, which included quotes that look suspiciously like active inducement under Grokster (BitTorrent and Grokster: How Much Intent Does it Take?). Today, Bram has added the following text to his agenda: [This was written in late 1999, and is a parody of a cypherpunk's manifesto, which struck me as very dishonest manifesto claiming to solely be concerned about privacy. This screed is written in the exaggerated voice of a 'prototypical' cypherpunk, making much more direct declarations of his intent.] [emphasis, links in original] Good answer. Hopefully it'll be enough to convince a judge should a lawsuit be launched.
Prof. Mark Schultz of the Southern Illinois School of Law who is guest-blogging on Eric Goldman's Technology & Marketing Law Blog has a good reply to this issue, however: Shocking Revelations About BitTorrent. We must avoid this "bootstrap effect" to maintain access to innovative technology. Even if Bram Cohen had "bad intent" in developing BitTorrent (I don't think he did), all subsequent distributors of BitTorrent should not be accountable for his actions or the actions of some end users. Such a distributor should be able to avoid liability, so long as substanstatial non-infringing uses are possible and the distributor does not actively induce infringment. I agree. However, the Supreme Court seems to have left the door open to a "taint by association" for technology companies. So, if one company is found to be an active inducer, subsequent companies built on the same technology seem to have one strike against them already. And if you get one strike, the strike zone gets much bigger.
UPDATE 0715PT 30 Jun 2005
WIRED has an article on this issue (BitTorrent Whiz Extolled Piracy?).
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Posted by Ernest Miller
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June 28, 2005
Posted by Ernest Miller
Following the Grokster decision there has been a lot of speculation about whether BitTorrent would be liable under the court's enunciated active inducement standard. Many think that BitTorrent is safe, in particular due to the lack of evidence of illicit intent. But what if there is evidence of illicit intent? A statement from Cohen in 2001 might be that evidence.
Prof. Mark Schultz of the Southern Illinois School of Law is guest-blogging on Eric Goldman's Technology & Marketing Law Blog. He took two close looks at the issue. First, on the simple question of BitTorrent itself: What Happens to BitTorrent After Grokster?. In response to a question of mine, he also addressed the additional questions raised by BitTorrent Search and the new, trackerless BitTorrent: More on BitTorrent and Grokster. His conclusion was that BitTorrent is protected because of its innocent intent: So, would Cohen and the other original BitTorrent developers be on the hook as inducers? Probably not. There appears to be no clear expression or other affirmative steps taken to foster infringement. Ed Felten also sees BitTorrent as the next big test case, and also thinks they'll survive: BitTorrent: The Next Main Event. The litmus test is BitTorrent. Here is a technology that is widely used for both infringing and non-infringing purposes, with infringement probably predominating today. And yet: It was originally created to support noninfringing sharing (of concert recordings, with permission). Its creator, Bram Cohen, seems interested only in noninfringing uses, and has said all the right things about infringement so consistently that one can only conclude he is sincere. BitTorrent is nicely engineered, offering novel benefits to infringing and noninfringing users alike. It is available for free, so there is no infringement-based business model. In short, BitTorrent looks like a clear example of the kind of dual-use technology that ought to pass the Courts active inducement test. [emphasis added] Perhaps Cohen is not as sincere as all that: A Technological Activist's Agenda: I am a technological activist. I have a political agenda. I am in favor of basic human rights: to free speech, to use any information and technology, to purchase and use recreational drugs, to enjoy and purchase so-called 'vices', to be free of intruders, and to privacy.
I further my goals with technology. I build systems to disseminate information, commit digital piracy, synthesize drugs, maintain untrusted contacts, purchase anonymously, and secure machines and homes. I release my code and writings freely, and publish all of my ideas early to make them unpatentable.
Technology is not a panacea. I refuse to work on technology to track users, analyze usage patterns, watermark information, censor, detect drug use, or eavesdrop. I am not naive enough to think any of those technologies could enable a 'compromise'.
Despite my emphasis on technology, I do not view laws as inherently evil. My goals are political ones, even if my techniques are not. The only way to fundamentally succeed is by changing existing laws. If I rejected all help from the political arena I would inevitably fail.
-Bram Cohen [emphasis added] History of the statement: According to Wikipedia, BitTorrent debuted at CodeCon 2002 ( Wikipedia: BitTorrent). According to the Internet Archive's Wayback Machine, Bram Cohen posted the page to his website sometime no later than Jul 10, 2001 ( Wayback Machine: http://bitconjurer.org/a_technological_activists_agenda.html : Jan 01, 1996 - Jun 28, 2005). Originally this statement was linked from his front page ( Wayback Machine: http://bitconjurer.org/ : Jan 01, 1996 - Jun 28, 2005). The link remained until at least Jul 20, 2003, but had disappeared by Jul 31, 2003. In between his homepage had been updated at least 7 times.
Question: How far will a lawsuit under the active inducement standard as articulated in Grokster go with this statement? Will this open the door to discovery? Will this make the addition of search engine (with advertisements) look like a bad act? Will it make trackerless BitTorrent look like a bad design decision?
Perhaps BitTorrent is a more difficult case than one might think.
UPDATE 1840PT
Just thought to check something else on the Wayback Machine. The link to the "activist's agenda" shows up in the very first snapshot of the homepage on Jul 6, 2001. The very first link to the BitTorrent project shows up on Jul 20, 2001. The statement and the BitTorrent project consequently seem rather close together in time.
UPDATE 1900PT
Just to note something from above (since I'm linking to so many Wayback Machine archives): the "activist's agenda" is still on Bram Cohen's website: A Technological Activist's Agenda.
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Posted by Ernest Miller
I'm not even going to try to provide a comprehensive list of links for the Grokster decision this morning, only some I thought of particular interest. I will continue to update this post through the day, as I come across more links.
Derek Slater is on a roll over at EFF's DeepLinks: - What is "Inducement"?
- Unavoidable Inducement?
However, in some ways, the decision may make it difficult for legitimate businesses to avoid inducement. - Clarifying Inducement: How Is Patent Law Relevant?
A straightforward transplant of the patent inducement doctrine might have provided technologists with some insight into what it will mean for them in the copyright context. Unfortunately, the Court's decision muddies the import of patent caselaw. - Clarifying Inducement: What's the Remedy?
If past misconduct can be used to prove that present actions also amount to inducement, the potential harm to innovators would be substantial. Finding that an action from long ago amounts to inducement could open the door to claims about all subsequent activities.
I believe that the Supreme Court has effectively pre-empted Congressional action in this area for some time. C|Net News gets reaction to the decision from Congress that concurs: Congress Applauds File-Sharing Ruling. The two top proponents of the INDUCE Act in the Senate had this to say: Patrick Leahy, the top Democrat on the Senate Judiciary Committee, said through a spokeswoman that he "is going to let the courts continue their role in reviewing the next phase of this case."
Sen. Orrin Hatch, the Utah Republican who heads an intellectual property subcommittee, said: "Prudence and respect for the role of the courts suggest Congress wait until it becomes clear how today's decision will play out in the lower courts before there is a rush to legislate." Speaking of C|Net, their Download.com website was still hosting Grokster and StreamCast clients as of this morning. I guess they don't think the ruling could apply to them, or that they would be sued. If I were them, I might think again. Although Grokster and StreamCast were not ruled illegal, if they are, I'm not sure that C|Net can avoid liability.
C|Net executive editor Charles Cooper wants EFF to come out and say, "just once", that "Grokster's business model is predicated on breaking the law" (Theft by Any Other Name). Hey, Cooper, what do you think about a company that makes money (some of the most popular downloads on Download.com are P2P programs) from companies whose "business model is predicated on breaking the law"? Why don't you say something about that?
Tim Wu thinks the Court has made a clear distinction between illicit Grokster-type filesharing and licit filesharing. - The Grokster Safe Harbor?
- Making a deal with the recording industry (iTunes)
- Encryption of content offered (also iTunes)
- A network optimized to some other explicit purposes (Freenet, privacy and anonymity, or even email -- personal communications)
- Phone home technologies -- software that is montored centrally, see Randy's paper.
- Grokster's Future
The important question is this: how does the Grokster decision affect the future of content distribution? In my view the decision will actually settle matters more than people think. To use a Lessig term, Grokster is zoning filesharing -- as between highly illegal, highly illegitimate operations on the one hand (like WASTE and some Bittorent clients), and highly respectable, legitimate operations on the other (iTunes and the new Napster).
I disagree with Tim's analysis here. The safe harbor doesn't seem particularly safe the way he has described it. You could license, but isn't the whole point of Sony that you don't have to license? You could use encryption, though what that means for filesharing legitimate files is unknown. And, isn't the whole point of Sony that you don't have to incorporate particular copy controls? Optimization is in the eye of the beholder. How long before you can file share with Skype (a pre-eminent P2P personal communications technology)?
As a commentor on Tim's second post notes, I'm not sure why Tim thinks that WASTE necessarily runs afoul of this ruling. It is basically a handy, secure P2P application for small groups, with plenty of legitimate uses.
Randy Picker wonders if, under Tim's reading, iPods can be distinguished from iTunes: File-Sharing v. File-Distribution.
Mike Godwin has a column in Reason: Don't Stop Grokkin'.
Siva Vaidhyanathan has a column in Salon (watch an ad for access): Supreme Court's Unsound Decision. This is why courts and legislatures should be very careful when regulating technological innovation and copyright: Broad rules and legal uncertainty can put a chill on, or even wipe out, really useful and important developments.
As Jim instructed Huckleberry Finn when Huck claimed Solomon was the wisest man who ever lived: "De 'spute warn't 'bout a half a chile, de 'spute was 'bout a whole chile; en de man dat think he kin settle a 'spute 'bout a whole chile wid a half a chile doan' know enough to come in out'n de rain." You can comment on Siva's column on his blog, Sivacracy, here: My Grokster Article in Salon.com.
Why should I bother doing a roundup of traditional news sources when Frank Field has done such a great job on FurdLog?: Grokster Roundup.
Prof. Mark Schultz of the Southern Illinois School of Law is guest-blogging on Eric Goldman's Technology & Marketing Law Blog. He looks deeply at the issues surrounding BitTorrent under Grokster: What Happens to BitTorrent After Grokster?. A significant omission, however, is that he doesn't address how BitTorrent Search and trackerless BitTorrent might change the equation. I could see BitTorrent search being considered enough evidence of intent so that trackerless BitTorrent becomes evidence of bad design under this decision.
Mark Schultz responds to my query and has addressed the issues of BitTorrent Search and Trackerless BitTorrent: More on BitTorrent and Grokster. Many thanks.
Prof. Michael Madison thinks the decision could have been better, but isn't too bad: Grokster Redux. That said, an Im a genuine innovator standard is much easier for mainstream technology innovators to live with than it is for cutting edge folk or iconoclasts. My relatively sanguine disposition comes from the observation that the same pattern is observed in the fair use cases, and while thats hardly a perfectly happy story in itself, judges handle innovation and evolution there better than we often give them credit for.
Prof. Susan Crawford has two posts on the question of balance in the decision: - A Balanced View
Today's Grokster opinion is a victory for content AND for technology. I was afraid that Sony would be undermined -- and it wasn't. The content guys were afraid that they wouldn't be able to go after bad guys -- and they've been given ammunition. What we've got is an opinion that is balanced and middle-of-the-road. It leaves Sony's "substantial noninfringing use" standard alone (yes, the concurring Justices snipe back and forth about what that standard means, but that doesn't matter), it doesn't adopt any formless Aimster balancing test, and it says strongly that you can't impute intent to technology. A good day for innovation. And a good day for Congressional staff, who won't have to deal with some request for Induce legislation -- we're done. - Footnote 12
I read the decision as saying that IF there is evidence of advertising AND other marketing and promotional indicia of intent, THEN failure to filter might be relevant. But failure to filter on its own (as Footnote 12 suggests) would never be enough.
Now, of course, it's not hard to do discovery and find evidence of intent. So this gives the content industry substantial ammunition. And that's why this is a balanced opinion that doesn't completely please either side. James DeLong, director of the Center for the Study of Digital Property at the Progress & Freedom Foundation, has a column on Tech Central Station: Grokster at Last!. As a first resort, it is clearly better to deal with the P2P purveyors as infringement-dependent businesses rather than infringement-enabling technologies, using the standards of evidence about the proof of evil intent that the Court put forth. The exact dimension of the Sony doctrine can wait. And, given reasonable progress in the development of technological means of protection, the issue might well wait forever, eventually joining the graveyard of unsettled issues on Moot Point. "Follow the money" has become a mantra. Well, Mark Cuban, who backed the Grokster lawsuit, follows the money and finds that no one cares: Kaboom !. In the business world, one way to evaluate the financial importance of news is by watching to see how Wall Street responds to it. If there is the slightest glimmer of hope in a news announcement, at least one person is going to think it will have some level of impact and make a bet on the stock and/or industry impacted.
There wasnt a Kaboom, there wasnt a whisper in the market. Not one buyer or seller of stocks gave a damn. Warner Music Group. probably the only public company that is a pure play proxy for the music business traded almost exactly the same number of shares as it does every day. The stock was down a nickel. He also looks at the practical business effects.
Ed Felten see BitTorrent as the next big test case, but thinks they'll survive: BitTorrent: The Next Main Event. I'm still concerned that the search engine and commercialization of BitTorrent may undermine the argument. We will have to see. Bram Cohen must remain purer than Caesar's wife.
bIPlog's Aaron Perzanowski claims the Court's test isn't really "active inducement": It's Not Active Inducement, Stupid
Does anyone else consider it odd that Grokster's homepage, as of Tuesday afternoon, still touts the Ninth Circuit's decision?: GROKSTER WINS!
THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT IN THE CASE OF MGM vs GROKSTER AFFIRMED THE DISTRICT COURT'S PREVIOUS RULING.
Today the United States Court of Appeals for the Ninth Circuit affirmed the previous District Court ruling denying the motion picture and recording industries request to shut Grokster down. via Mossback Culture
John Palfrey gets it right, I think: The Entrepreneur in a Post-Grokster World. So, its back to the courts again. The Supreme Courts decision places the responsibility to uphold Americas culture of entrepreneurship and innovation squarely in the hands of the lower courts to determine what the ultimate effect of its thread-the-needle ruling will be.
Its the next few rulings, reading the tea leaves of the opinions handed down yesterday, that matters. If the next tests of the Grokster ruling turn out in favor of the entrepreneur, then the chilling effect of the Grokster opinion on innovation will hopefully be negligible. Nice summary from David Post on the Volokh Conspiracy: Grokster Decision, Second Thoughts.
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Posted by Ernest Miller
What the heck does the Grokster decision mean for open source?
I suspect that we are likely to find out.
Up to now Hollywood has been satisfied in going after the commercial purveyors of P2P filesharing software. Undoubtedly, following the Grokster decision, they will continue to do so. However, that will not halt the use of P2P programs.
As the commercial systems are shut down, it is likely that users will migrate to open source P2P projects. Indeed, a switch to various open source programs, such as BitTorrent, is already well under way. If Hollywood desires to continue to stem the tide by taking action against certain programs, they will have no choice but to go after the most popular open source projects.
Vicarious liability would not seem to be much of an issue for most open source programs. They don't directly profit from (and I doubt a court would recognize reputational benefits for this purpose) illicit filesharing and I'm unaware of any that has the right and ability to control use. Standard contributory infringement would also be relatively difficult to prove on a number of levels, assuming the device met the Sony test.
But active inducement changes things, especially as the Court was rather unclear on how it was to be applied. The problem for many open source technologies that would meet the Sony test is that they receive contributions of code from a wide variety of sources. The most well-organized projects have a vetting process so that they do not incorporate copyrighted or patented code. However, how are they to vet for intention?
When you've got a large number of people working on a filesharing project, it is likely that one of them will say things that would be evidence of inducement. Furthermore, the Court spent a great deal of time emphasizing Grokster's lineage from the original bad actor Napster. That was plenty of evidence of ill intent for the Supreme Court. How might that logic be applied to the numerous progeny of Napster in the open source world?
I really don't know. There are a number of ways that a court could potentially handle it and it would be very fact-dependent, I think.
One possibility I do see, however, is that an open source project may ultimately force the Court to confront Sony directly.
In Grokster, the Court "kicked the Sony can down the road". They didn't address what it really meant and came up with an alternative theory of liability, active inducement. Active inducement seems well-suited to bringing down many commercial projects, but it could have difficulty with open source.
Although an active inducement case would be relatively easy to bring against an open source P2P project, I believe, I could also see a Court dismissing such a claim for a variety of reasons. Such a decision would be very fact-dependent, but having dismissed active inducement, the only chance to shut down a particular project would be to find that the program failed the Sony test.
Such a case would then force the Court to make a decision about the limits of Sony.
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Posted by Ernest Miller
A new episode of my audio series, The Importance Of ... Law and IT, is up on IT Conversations.
This show, like my first one, deals with MGM v. Grokster, although this time we're not talking about some appellate court, we're talking about the Supremes (The Importance of ... Law and IT: MGM v. Grokster). Joining me for this show were two of the leading commentators on the net and elsewhere yesterday when the decision was released: Not only do we discuss the holding in the case, we also consider the implications for publishers, software developers, hardware manufacturers, IT shops and, specifically, the outlook for BitTorrent.
Many thanks to my excellent guests.
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Posted by Ernest Miller
It was the best of times, it was the blurst of times?!
C. Montgomery Burns
Earlier today, on the Wall Street Journal's Grokster Roundtable I stated that, "I do think this may turn out to be a significant victory for technology providers in general."
Darknet author JD Lasica, who is guest-blogging here yesterday and today, has asked me to clarify what I meant (Grokster: Theory and Practice). Well, it's been a busy day, so I couldn't answer him right away. I will do so now.
Despite claims to the contrary, neither side achieved total victory in Grokster nor did either side lose. Though the case will continue in the district court, it isn't the specific fate of Grokster and StreamCast that really matters. What matters is how this decision will effect copyright law and innovation policy generally. What will the practical impact be?
Things could have been better for innovation. A lot better, in fact. But, more importantly, they could easily have been far worse.
Basically, I think that the Supreme Court did what it felt it had to do, find against Grokster and StreamCast. However, they were unable to resolve the fundamental and underlying issues involved in applying Sony v. Universal, aka "Betamax", in the internet era and so didn't decide that aspect of the case.
Copyright guru William Patry says that the court punted (The Court Punts). I prefer to think that the Court kicked the can down the road instead. Unable to reach agreement on what is actually a fairly bad set of facts for innovation promoters, the Court has basically said to come back in a few years and we'll take another look. Since time is on the side of P2P and internet innovation, this is actually a victory for technology providers.
But more on that in a bit.
The Could Have Been Better
Let's get the bad news out of the way first.
The Court has clearly revived the "active inducement" standard for secondary liability. Note I say "revived," not "created". The active inducement test has pretty much been part of copyright law for some time. It may have been hiding in the background, or being confused with its siblings, contributory and vicarious infringement, but there it was. It even got a mention in Sony, among other places. Basically, the Court has taken it out of the background and shadows and placed it front and center.
The problem is, they could have done a much better job. "Active inducement" is a pretty good test, and one that I'm not opposed to for secondary liability. However, the Court seems to have set a fairly low and confusing bar for finding the "active" part of the inducement.
There has already been much commentary on this point. See, among others, Larry Solum, Footnote 12 in Grokster; Randy Picker, The Lurking Design Issue in Grokster; and, Ed Felten, Legality of Design Decisions, and Footnote 12 in Grokster.
Without too much detail, the Court seems to be using some sort of "taint by association" with Napster. See, Eric Goldman, Grokster Supreme Court Ruling. After all, Grokster and StreamCast actually advertised to the customers of known bad actor Napster. Based on this, all sorts of otherwise legal actions (using advertising for revenue, lack of filters) took on a sinister cast, according to the Court.
This is pretty unconvincing evidence, actually. It veers pretty darn close to turning active inducement into imputed inducement. And, if courts are allowed to run with this sort of reasoning, could be very dangerous to innovation. But I don't think it will necessarily go that far. It will likely go farther than it should, but I don't think innovation is doomed.
Remember the complex procedural posture of this case. The Supreme Court was reviewing a motion for summary judgement, but they didn't directly challenge that judgement, they used a different theory of liability then was argued. All they've basically said is that the evidence in the record is enough to beat a summary judgement on an active inducement theory that hadn't been fully briefed in the district court or court of appeals. The Supreme Court remanded, vacating the earlier judgements, but not providing an awful lot of guidance for them. That's okay.
In essence, all of the analysis of the Supreme Courts on the active inducement test is pretty darn fact specific. However, as noted, the active inducement facts were never actually argued or briefed in the lower court. The Supreme Court was basically cobbling together facts briefed for a standard contributory and vicarious liability argument, not the active inducement standard that the Supreme Court ruled on.
So, basically, we have a theory of infringement that is vary fact-specific (seemingly limited to the facts in Grokster), facts which were never properly developed in the first place, and only so far as to say that these facts beat summary judgement. What the Supreme Court said on the evidence for active inducement may act as persuasive authority but is pretty close to surplusage and dicta.
The case goes back down to the district court. The court is going to have to decide on three theories of secondary liability: contributory, vicarious and active inducement (after this new active inducement claim is properly briefed, of course).
The Supreme Court gave absolutely no guidance on vicarious liability and there is a very clear split on straight-up contributory infringement under Sony. It's not clear to me that the district court can't rule the same way on the vicarious infringement. A gutsy court could even find the same way on contributory infringement, following Justice Breyer's concurrence. However, there will be no summary judgement for Grokster and StreamCast on the issue of active inducement.
A gutsy court might send the issue of active inducement and, possibly, contributory infringement to trial. On the other hand, the district court could give summary judgement to MGM on the basis of active inducement and completely ignore contributory and vicarious infringement (hey, it worked for the Supreme Court). Here's the thing,though. A smart district court would base the active inducement on other, presumably more damaging evidence, then the Supreme Court used. There is nothing that says the district court has to use the reasoning the Supreme Court did in denying summary judgement to Grokster and StreamCast. The Supreme Court was never looking at a properly briefed active inducement motion for summary judgement in the first place. Result: the Supreme Court's ruling is followed, but the ruling is narrow in recognition of the cases' strange procedural posture.
If MGM wins summary judgement, they can't do much about it. It is not like they could appeal a ruling in their favor. They could possibly appeal a decision to send the case to trial, but the burden for overturning such a ruling would be fairly high. Furthermore, if they lost that appeal and the case went to the Supreme Court again, they'd never take it.
Of course, as I said above, it isn't the specific fate of Grokster and StreamCast that is important, it is the effect this ruling will have on other cases and for innovation in general.
More Uncertainty or Less?
There has been a lot of talk about increased uncertainty for innovators, which would increase the cost of innovation, and even suppress a substantial amount. See, among others, Fred von Lohmann, Fear Mongering. Von Lohmann is right, a great deal of uncertainty does remains and it may have even increased in certain ways.
On the other hand, it may also have decreased. Grokster, the case, will continue. Depending on how the district court handles the issues in Grokster and how other courts interpret the Supreme Court's guidance here, will make all the difference in the world. As I noted above, they'll be likely to extend liability farther than a strict active inducement standard, but I don't think they'll go too far. The Court was very clear that this was "active inducement," not "imputed inducement." They pointed very clearly to patent law. And, although patent law doesn't solve all problems, it is generally better than the test the Supreme Court created for the purposes of the Grokster ruling. Furthermore, many of the facts the Court cited can easily be limited to Grokster and, once again, they were never properly briefed under a theory of active inducement in the first place. Result: it will be the lower courts that will craft the copyright active inducement standard and they are free to narrow it as compared to the expansive example the Supreme Court provided. Conclusion: give money to EFF to convince judges to use a narrow active inducement test.
The case also acts, somewhat, as a roadmap. For bad actors, of course. See, Douglas Lichtman, Hollow Victory in Grokster. Although I have to agree with C.E. Petit that bad actors frequently are careless when it comes to smoking guns, if you look hard enough (Balanced
or Evasive?). But it will also serve as a roadmap for good actors. See, Fred von Lohmann, Supreme Court Sows Uncertainty.
Is it a perfect roadmap? No, there remain plenty of unseen pitfalls. However, it is better than no roadmap at all. I will also note that this roadmap will be much more useful to large, established corporations (that can afford expensive lawyers to help avoid liability, as well as have deep pockets to scare off some lawsuits) than smaller upstarts (that are cutting edge and lack anti-lawsuit resources). This is highly unfortunate. Highly unfortuate.
But consider whether the uncertainty today is that much worse than the uncertainty that prevailed yesterday. After all, there is also some good news. The fact that the MPAA and RIAA have won a 9-0 decision in the Supreme Court means it will be pretty hard for them to convince Congress they need the even worse INDUCE Act, or any similar legislation (even such things as the Broadcast Flag). Having the INDUCE Act and the Broadcast Flag off the table reduces uncertainty a great deal more, I think, than this relatively limited ruling by the Supreme Court.
Also consider what might have happened if the Supreme Court had ruled in favor of Grokster and StreamCast. I think it highly likely that this issue would quickly jump to the front of the queue for both judiciary committees. Hollywood might not have gotten a full-blown INDUCE Act, but they might have gotten some "compromise" that worked for major corporations such as Microsoft and Apple, but not for smaller inventors. Sometimes it is better to lose a little, than to win.
This isn't a great "active inducement" test, and too much uncertainty reigns, but it could have been much, much worse.
Time Is On Our Side
This is the key to understanding the importance of the case, I think.
The Court didn't address Sony directly. There were three in favor of a narrow reading of Sony's safe harbor that would exclude Grokster and StreamCast. Three in favor of a broad reading of Sony's safe harbor that would include Grokster and StreamCast already. And three who were apparently unconvinced of the merits of either side. A perfect three-way split.
Let's look at the two concurrences. What was most apparent to me, is that Justice Ginsburg's concurrence completely ignored discussing the issue of what "capable" means in Sony. The standard view, and the one fully endorsed by Justice Breyer's concurrence is that "capable" refers to the future ability of a technology to be used for non-infringing purposes, although its present use is primarily infringing.
While Justice Ginsburg ignores the future potential for peer-to-peer, Justice Breyer revels in it. Lior Strahilevitz argues that Grokster may have erased the future potential from Sony (Is Grokster Erasing Capable from Sony?). I disagree, "capable" has always been rooted in reality. I could use a gun to hammer nails, but that does not mean that a gun is "capable" of being a hammer in the sense that "capable" is used in Sony.
Capable is something more that "could potentially be used for." It is an admonition to remember that how technology is used changes over time and that, frequently, illicit uses may dominate in the early years of a technology's development. After all, it is often easier to establish illicit markets than legitimate ones. iTunes, anyone?
Extensive quotation from Justice Breyer's concurrence follows: Here the record reveals a significant future market for noninfringing uses of Grokster-type peer-to-peer software. Such software permits the exchange of any sort of digital file -- whether that file does, or does not, contain copyrighted material. As more and more uncopyrighted information is stored in swappable form, it seems a likely inference that lawful peer-to-peer sharing will become increasingly prevalent. [citations omitted]
And that is just what is happening. Such legitimate noninfringing uses are coming to include the swapping of: research information (the initial purpose of many peer-to-peer networks); public domain films (e.g., those owned by the Prelinger Archive); historical recordings and digital educational materials (e.g., those stored on the Internet Archive); digital photos (OurPictures, for example, is starting a P2P photo-swapping service); "shareware" and "freeware" (e.g., Linux and certain Windows software); secure licensed music and movie files (Intent MediaWorks, for example, protects licensed content sent across P2P networks); news broadcasts past and present (the BBC Creative Archive lets users "rip, mix and share the BBC"); user-created audio and video files (including "podcasts" that may be distributed through P2P software); and all manner of free "open content" works collected by Creative Commons (one can search for Creative Commons material on StreamCast). [citations omitted] I can find nothing in the record that suggests that this course of events will not continue to flow naturally as a consequence of the character of the software taken together with the foreseeable development of the Internet and of information technology.
There may be other now-unforeseen noninfringing uses that develop for peer-to-peer software, just as the home-video rental industry (unmentioned in Sony) developed for the VCR. But the foreseeable development of such uses, when taken together with an estimated 10% noninfringing material, is sufficient to meet Sony's standard. And while Sony considered the record following a trial, there are no facts asserted by MGM in its summary judgment filings that lead me to believe the outcome after a trial here could be any different. The lower courts reached the same conclusion. This is a ringing endorsement of the progress of technology and, in particular, of P2P. Justice Breyer has swallowed the P2P Kool-Aid.
Here's the thing. So have I. I believe that P2P technologies have all sorts of wonderful non-infringing uses. I believe that P2P technologies will increasingly be used for these non-infringing uses and become embedded in our work and play. We'll all be making phone calls via P2P, playing games, watching TV, sharing our varied creations. I believe that five years from now the idea of living without P2P will be about as attractive as the idea of living without the internet today.
And five years is a pretty good timeframe, because it will realistically be five years, at least, before the Supreme Court decides to take another crack at Sony. By then the industry will have matured. Microsoft and Apple themselves will be deeply involved in distributing lots and lots of perfectly legal content via P2P. The content industries will have to have made further adjustments of their business plans, further legitimizing the industry. The industry itself will have more credibility and respect, and perhaps more importantly, a heck of a lot more jobs will be on the line.
When that happens, the Court will no more be interested in ruling against these technologies then they would be in taking VCR's out of people's bedrooms, or eliminating entire swaths of US industry. More importantly, Justice Breyer's concurrence will have been vindicated.
So, even if some new technology that isn't yet an itch in some programmer's head is what is being challenged, Justice Breyer's concurrence is likely to be the one that sets the path for the next Sony decision.
A lot of people talk about the potential of P2P, but I believe it. And so do three justices, apparently. If we're right, we're going to win five-ten years down the road.
So, go ahead and kick the can. Time is on our side.
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June 27, 2005
Posted by Ernest Miller
Below are just a few my observations about the decision, in no particular order.
Vicarious Infringement
Vicarious infringement is a rather messy little and unclear doctrine. It could seriously use some clarity. The question was before the Court, but they refused to address it (footnote 9): In the present case MGM has argued a vicarious liability theory, which allows imposition of liability when the defendant profits directly from the infringement and has a right and ability to supervise the direct infringer, even if the defendant initially lacks knowledge of the infringement. Because we resolve the case based on an inducement theory, there is no need to analyze separately MGM's vicarious liability theory. [citations omitted] Well, if they had analyzed the vicarious infringement liability and found that the lower courts had erred, they wouldn't have had to reach the question of inducement. It isn't as if questions about vicarious liability will be going away. Interestingly, neither concurrence even mentions vicarious liablity.
Evidence of Intent?
The evidence for Grokster/StreamCast's intent is pretty darn weak: [p. 20] Grokster distributed an electronic newsletter containing links to articles promoting its software's ability to access popular copyrighted music. What does this mean? If the New York Times profiles your product and mentions its infringing uses you can't cite that article?
The same could be said about this "evidence" of intent: And anyone whose Napster or free file-sharing searches turned up a link to Grokster would have understood Grokster to be offering the same file-sharing ability as Napster, and to the same people who probably used Napster for infringing downloads... Huh? Grokster was available on the original Napster and this makes Grokster liable? What free software wasn't and isn't available on P2P filesharing networks whether legal or illegal?
Three Main Indicators of Intent: The First is Bogus and the Next Two Bootstrap Off the First
The opinion emphasizes three main factors as "clear" evidence of intent. However, the first makes little sense and the next two are otherwise legal actions that only become evidence of intent if there is already evidence of intent.
The first is advertising aimed at Napster users. First, each company showed itself to be aiming to satisfy a known source of demand for copyright infringement, the market comprising former Napster users. StreamCast's internal documents made constant reference to Napster, it initially distributed its Morpheus software through an OpenNap program compatible with Napster, it advertised its OpenNap program to Napster users, and its Morpheus software functions as Napster did except that it could be used to distribute more kinds of files, including copyrighted movies and software programs. Grokster's name is apparently derived from Napster, it too initially offered an OpenNap program, its software's function is likewise comparable to Napster's, and it attempted to divert queries for Napster onto its own Web site. Grokster and StreamCast's efforts to supply services to former Napster users, deprived of a mechanism to copy and distribute what were overwhelmingly infringing files, indicate a principal, if not exclusive, intent on the part of each to bring about infringement. Of course, this is limited by the fact that future creators will avoid such a thing, but why should it be considered "evidence" in the first place. After all, there is one company that is uneqivocally going after former Napster users, Napster itself. Why is it that Grokster cannot go after former Napster users, but Napster 2.0 can? Is it the technology? But I thought inducement was about intent, and not the tools.
This brings up the point I raised on the Wall Street Journal's Grokster Roundtable: Imagine that Sony had been a nefarious group of active inducers when they brought out their Betamax. Suppose that there was ample evidence that Sony fully intended and explicitly encouraged Betamax users to infringe copyright with their videotape recorder (ads, internal emails, business plans). Consequently, under this standard, sales of the Betamax were shut down. What happens when VHS comes along? What will the makers of VHS have to do in order to avoid liability thanks to the bad actions of Sony? Should VHS be punished for going after the Betamax market? It would have been hard for VHS not to go after the Betamax market, that's where the buyers of VCRs are. As I asked in the roundtable, "What would StreamCast and Grokster have to have done in order to avoid liability for following in the footsteps of bad actor Napster? What will the next developer of P2P have to do if Grokster and StreamCast are found liable in the lower court?" This decision leaves the issue fairly uncertain.
Next, the infamous, footnote 12 and questions of design. First the paragraph it is attached to: Second, this evidence of unlawful objective is given added significance by MGM?s showing that neither company attempted to develop filtering tools or other mechanisms to diminish the infringing activity using their software. While the Ninth Circuit treated the defendants'failure to develop such tools as irrelevant because they lacked an independent duty to monitor their users' activity, we think this evidence underscores Grokster's and StreamCast's intentional facilitation of their users? infringement. And, footnote 12, itself: Of course, in the absence of other evidence of intent, a court would be unable to find contributory infringement liability merely based on a failure to take affirmative steps to prevent infringement, if the device otherwise was capable of substantial noninfringing uses. Such a holding would tread too close to the Sony safe harbor. What the heck does this mean? No one seems to know. Rather contradictory, actually.
Honestly, this doesn't make a lot of sense. Imagine the VCR scenario again. Imagine that Sony was a bunch of infringement inducing scum with the Betamax. Now, the VHS standard comes along and they seem to be going after the Betamax market (sort of hard to avoid, actually). Suddenly, it is evidence of illicit intent that the VHS was built without broadcast flag technology?
I suppose it will end up turning on how big one thinks the Sony safe harbor actually is. The Court really punted this one.
The bootstrapping continues: Third, there is a further complement to the direct evidence of unlawful objective. It is useful to recall that StreamCast and Grokster make money by selling advertising space, by directing ads to the screens of computers employing their software. As the record shows, the more the software is used, the more ads are sent out and the greater the advertising revenue becomes. Since the extent of the software's use determines the gain to the distributors, the commercial sense of their enterprise turns on high-volume use, which the record shows is infringing. This evidence alone would not justify an inference of unlawful intent, but viewed in the context of the entire record its import is clear. "[I]ts import is clear?" Clear? I think not.
The Supreme Court points to three main reasons by Grokster and Streamcast intend infringement. The first is that they went after Napster's users. That's pretty darn weak evidence by itself. Everyone wanted to capture Napster's market, legitimate and illegitimate services alike. Why do you think Napster 2.0 is still around? The Court then boostraps this weak evidence into turning what the Court admits would be otherwise lawful conduct, into evidence of illicit intent.
So, bascally, the Court has said that you don't have to design your software to avoid infringement. Feel free to earn advertising revenues (gee, thanks), but once you pass some unknown threshold of intent (what? an internal email, an ambiguous advertisement, what?), these two otherwise lawful acts will be held against you. Apparently, the Court wants a balancing test of some sort. How this is balanced is going to be key. I almost want some terribly incriminating statements from Grokster and StreamCast to be entered into evidence in the district court, as they're doomed at its best that we don't get a narrow reading of Sony in the context of this threshold for intent argument.
The conclusion of the opinion is a bit defensive of this argument, I think: If liability for inducing infringement is ultimately found, it will not be on the basis of presuming or imputing fault, but from inferring a patently illegal objective from statements and actions showing what that objective was. One man's imputing is another man's inferring, presumably.
Ginsburg's Concurrence
The less said about the Ginsburg concurrence the better. I think, though, that the concurrence is fairly limited to the facts developed in this particular case and to a record that wasn't fully developed through trial. Furthermore, there is very little explanation of what "capable" means in Sony. The concurrence seems firmly rooted in a fixed timeframe and reflects Justice Kennedy's questions about free riding on copyrighted works to get a technology off the ground.
Breyer's Concurrence
Ah, sweet reason, three Justices who get it. Here, there is a discussion of what capable means, revealing a view of technology that develops over time. Here the record reveals a significant future market for noninfringing uses of Grokster-type peer-to-peer software. Such software permits the exchange of any sort of digital file -- whether that file does, or does not, contain copyrighted material. As more and more uncopyrighted information is stored in swappable form, it seems a likely inference that lawful peer-to-peer sharing will become increasingly prevalent. [citations omitted]
And that is just what is happening. Such legitimate noninfringing uses are coming to include the swapping of: research information (the initial purpose of many peer-to-peer networks); public domain films (e.g., those owned by the Prelinger Archive); historical recordings and digital educational materials (e.g., those stored on the Internet Archive); digital photos (OurPictures, for example, is starting a P2P photo-swapping service); "shareware" and "freeware" (e.g., Linux and certain Windows software); secure licensed music and movie files (Intent MediaWorks, for example, protects licensed content sent across P2P networks); news broadcasts past and present (the BBC Creative Archive lets users "rip, mix and share the BBC"); user-created audio and video files (including "podcasts" that may be distributed through P2P software); and all manner of free "open content" works collected by Creative Commons (one can search for Creative Commons material on StreamCast). [citations omitted] I can find nothing in the record that suggests that this course of events will not continue to flow naturally as a consequence of the character of the software taken together with the foreseeable development of the Internet and of information technology. That's what I'm talking about!
I would continue to cite from it, but I would end up copying the whole thing. I imagine that it will become one of the most popular concurrences written, cited for its wisdom and insight into issues of innovation and the promises of communications technology. Its a great foundation, anyway.
UPDATE 1900PT
Welcome Instapundit readers! If you've made it this far, you obviously are very interested in the Grokster decision. Here are some more links:
I live-blogged the two main, opposing press conferences on the decision today:
Notes on the RIAA / MPAA Press Conference
Notes on the Pro-Grokster Press Conference
Lots of links and analysis here:
Grokster Loses - Unanimously - Inducement Test?
I participated in the Wall Street Journal's Grokster Roundtable.
Darknet author JD Lasica is guest-blogging here today and has these posts:
Grokster: Theory and Practice
Grokster Open Thread: Your Views
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Posted by Ernest Miller
Later this afternoon, I'll be recording a podcast for IT Conversations on the Grokster decision with Denise Howell of Bag and Baggage and C. E. Petit of Scrivener's Error. Use this post to submit any questions you have about the decision or topics you'd like covered. I can't guarantee that we'll answer all of them, but I'll make an effort to see that we cover the best ones.
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Posted by Ernest Miller
I missed some of the beginning statements due to the difficulties in connecting to the conference call, but here are my notes on the RIAA/MPAA press conference. I didn't catch the names or affiliations of those providing the opening statements or answering the questions. No exact quotes, just the gist:
Parents will come home and say there is a right way and a wrong way. That is what this is all about. Today is not a panacea. It represents a new day, it is a pivot point. Those who encourage and profit from infringement will be held liable. This means the legitmate market has the ability to take off. Fans and musicians won. We want to work with P2P, embrace technology, start filtering we can enter a better digital age together.
I can't stress enough that a unanimous Supreme Court issued a victory for the rule of law. The other parties in this case created systems that were made for the purpose of facilitating copyright infringment, the taking of music and movies. Taking from the people who put their sweat into making things we enjoy. The constitution protects this, It is in the constitution because they knew we needed this incentive to create something that we might all enjoy. This is a ruling that everyone who creates music, books are entitled to protection under the Constitution. When people create a product to help people take this content, they will be liable for it. All nine justices agree with this principle.
Three fundamental points taken to the court. First, the underlying activities, the downloading of copyrighted works is simply unlawful, plain and simple. Court called it "Garden variety theft." The unanimous decision speaks to the culture. Second, it can't be right under law to build a business on the basis of taking someone's property. You can't build a business that the point is to take other people's property. Unanimously vindicated. Third, it was all about balance. In Sony, the Court sought balance between copyright and technological innovation. Court rejected that Sony was a free pass for technology. Terrific result.
Q: What does it mean for millions of American who use iPod?
A: They're doing it the right way, they're ahead of their peers. There will be more of them.
Q: It is not the technology that the Court was targeting but the business model?
A: Precisely. There is technology out there (Audible Magic, Shawn Fanning) that will make P2P part of this market.
Q: [unintelligble]
A: If you look at the last paragraph of opinion. Court ought to look at summary judgement in favor of Hollywood.
I think the same principles that lead to Grokster and StreamCast will lead to similar decisions against other providers.
Q: If you prevail in lower court, what happens?
A: We're still entitled to full range of equitable relief as well as damages. The point is to migrate this technology to a place where it works with legitimate providers. The infringing has to stop. Audible Magic, Shawn Fanning provide such technology.
A: This is a story that evolved over six years. The last couple of years we've seen the emergence of a legitimate market and clarity about what the law is. We're going to see a transition in the market place. Two years ago there was no legitimate source, today 4% of households use legitimate. That will increase.
Q: What about illegal tech dragging industry into legitimate market?
A: That is exactly backwards. Legitimate alternatives were thwarted by illegitimate options. This decision will change that climate and help legitimate thrive.
Hassle-free, reasonable cost access to content is where we're going. We can be leaders, provided it isn't for free. We can provide these options in the future.
Q: Have you addressed whether you're going to take this back to Congress and what you might do?
A: This decision was rendered today. This was a 9-0 decision, they don't agree what to have for lunch. They've agreed that our content is worthy of protection. I think it is doubtful that this will be rushed back to Congress. There will be hearings, there might be bills proposed, but unlikely anything will happen.
Q: [unintelligble]
A: In a corporate world, folks will respond to this decision and turn to legitimate avenues.
Q: [unintelligble]
A: I'm not sure I know the answer to the question, exactly what the scope of the damages will be?
Q: What about off-shore companies? Do you expect filesharing to go away?
A: No. We have a goal that is reasonable, the legitimate market place will outpace illegitimate marketplace. There will be offshore companies, but our laws have strong international enforcement. And there will be other reasons (spyware, viruses) people will want to switch.
Q: What about designing anti-piracy features up front.
A: What the court is doing is setting a commonsense standard. If you're Apple, you're fine. If you're Grokster and Streamcast, it is clear from any number of things that they are inducing, you're not going to be fine. We don't think it will be difficult to determine what is an illegitimate or legitimate business.
Q: How will you go about going about the process of the message integrated in the culture? How do you speak to the parents or their kids?
A: We are doing this right now, you report on this decision. This is an obligation that we all have. The industry, parents, teachers, Congress, AGs everyone has to do this. We need to band together, work together. We'll go wherever folks want.
Clarity is important. This ruling is about as clear as can be. The ubiquity of the internet has confused people about what is property to be protected and what is not. This decision is so precise that it should have a very powerful impact and disincentive on illegal behavior.
Q: Will there be any difficulty in establishing in district court that Grokster/StreamCast met inducement standard?
A: The opinion speaking for all nine, makes this clear. The district court should reconsider whether summary judgement should be revised. The Court's view of the evidence is that this is a powerful case.
Q: Will this have a chilling effect on new technology or innovation?
A: This will inspire new technology because it is clear about what is right and wrong. This will be a foundation for new creativity on the artists side. They can make music, write screenplays because they know they won't be stolen on the internet.
Some of our friends on the other side like to engage in fear. This is fear-mongering. To say this is a threat to innovation is a gross hyperbole.
Q: The whole Grokster/Napster mentality was payback for ripping off consumers?
A: If you think about buying single tracks, that is an improvement. The fundamental point is that you paid for the thing.
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Posted by Ernest Miller
The pro-Grokster side held a press conference on the decision. Here are my notes. These aren't direct quotations, but my quick notes on what people were saying.
UPDATE 1320PT
The audio is now avaible as an MP3: Pro-Grokster Press Conference [MP3] or Pro-Grokster Press Conference [MP3]. Watch for this to quickly jump on the filesharing nets.
- Richard Taranto, Farr and Taranto, argued the case before the Supreme Court
A few words, two different aspects to think about this case. What this means for the future of this litigation and how Grokster and Streamcast will fair under the remand directive. The decision is multi-faceted and the evidence burden is unclear so that it We think we will have the evidence to dispell the inference that the entertainment companies have the right to prove that there is sufficient evidence for liability. We were not in the Supreme Court of the unavailability of a theory of inducement for copyright liability.
The second and much more important aspect of what the courts did today was to write a set of standards, the most notable feature of which is the lack of clarity. Promoting infringement and knowledge of how technology will be used. The Court has provided a very difficult roadmap to follow. We have a multi-factored standard that you can't be sure how will be applied to you. The immediate impact for technology industry will be a ... one? - Fred von Lohmann, Senior Staff Attorney for EFF, with Cindy Cohn
Will unleash an era of legal uncertainty for America's innovators. When we see the evidence in District Court, Streamcast will not be held liable. There is a new theory of copyright liability. Didn't clarify Betamax, didn't clarify vicarious liability. It will take courts some time to clarify this. By focusing on intent, the Supreme Court has opened the door to see the notes of engineering meetings, marketing plans, emails of executives. This is a high burden for technology companies. - CEO of Streamcast
Another hurdle for this company. We are confident that Streamcast did not go beyond the letter of the law. We look forward to our day in court. We're staying in this fight. - Gigi Sohn, President and Co-Founder of Public Knowledge
I see positive things for technology companies and consumers. The court reaffirmed the basis for the Betamax case. P2p as a technology can be The court focused on affirmative acts. We will see if there is enough evidence to prove viability. Sony has been preserved. There has been a lot of debate as to whether Congress will have to act to protect Hollywood's rights. It is clear that there is no need for Congress. There is nothing that Hollywood should want or need for Congress. Technology and consumers can be somewhat optimistic about this decision. - VP of Technology Policy, of the Consumer Electronics Association
Still digesting decision. Quite concerned about a new theory of liability will be harmful. Quite conscious about a very competitive world, such as companies in China and India that do no The legal clarity has decreased. The risk of litigation has increased. From a competitive point this is not a good thing. With the INDUCE Act litigation introduced in last Congress, this makes the legal landscape less clear. We seek a pro-technology, pro-innovation landscape. - Michael Page of Keker & Van Nest, attorney for Grokster
Good things and bad things. Court decision to uphold Sony is a good thing. I'm disappointed that the Court didn't address vicarious liability at all. Active inducement is part of contributory infringement, but the discussion of what it means to induce leaves a number of conflicting standards. If you replace a prior p2p software that was inducing with another, you can be held liable. Conflicting signals looks to litigation. The vagueness of the court's discussion of inducement will cause problems down the road. - Edward Black, President and CEO of the Computer and Communications Industry Association
We agree more time to read it all over. This is a very dangerous decision for technology and innovation. It is big victory for lawyers. Sony upheld. But if you consider Sony an umbrella and shield, it is now full of holes. Hollywood to a large extent, has achieved what it wanted.Time for them to change to new business models. We have seen a greater trend to regulatory encroachment, this is an unhealthy trend for everyone who cares about the internet. This decision does uphold the fundamental decision in Betamax. - Charles Baker of Porter & Hedges, representing StreamCast
I've been representing StreamCast for sometime. We will be back before the district court, we look forward to litigate this issue. We believe very strongly that under this new standard StreamCast will not be held liable. This is a confusing new standard. This can lead to expensive litigation, a very fact intensive standard. If you think about inducing, you could be liable. This will not slow down, but only intensify litigation. It will hamper technology innnovation. - GC for StreamCast
Decision seems Orwellian. Hollywood become thought police. People in their garages will have to be concerned about everything they think, everything they say to others.. have to be very Full lawyer employment outcome. Lawyers will be pulled into every aspect of business. Innovation and American public will suffer.
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Posted by Ernest Miller
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Posted by Ernest Miller
via SCOTUS Blog The Supreme Court ruled unanimously that developers of software violate federal copyright law when they provide computer users with the means to share music and movie files downloaded from the internet. The decision when it appears. Unanimously. That's harsh.
UPDATE 0810PT
And here's the decision (from the AP): No. 04-480, MGM Studios v. Grokster, reversed 9-0, in an opinion by Justice Souter [24-page PDF]. Justice Ginsburg concurred [8-page PDF], joined by the Chief Justice and Justice Kennedy; and Justice Breyer concurred [18-page PDF], joined by Justices Stevens and O'Connor.
From the opinion: We hold that one who distributes a device with the object of promoting its use to infringe copyright, as shown by clear expression or other affirmative steps taken to foster infringement, is liable for the resulting acts of infringement by third parties. Active inducement it is.
Perhaps not so bad from the AP via Yahoo News! (Court: File-Sharing Services May Be Sued):
Internet file-sharing services will be held responsible if they intend for their customers to use software primarily to swap songs and movies illegally, the Supreme Court ruled Monday, rejecting warnings that the lawsuits will stunt growth of cool tech gadgets such as the next iPod.
The unanimous decision sends the case back to lower court, which had ruled in favor of file-sharing services Grokster Ltd. and StreamCast Networks Inc. on the grounds that the companies couldn't be sued. The justices said there was enough evidence of unlawful intent for the case to go to trial.....
"We hold that one who distributes a device with the object of promoting its use to infringe copyright, as shown by the clear expression or other affirmative steps taken to foster infringement, is liable for the resulting acts of infringement by third parties," Justice David H. Souter wrote for the court. ...
But in Monday's ruling, Souter said lower courts could find the file-sharing services responsible by examining factors such as how companies marketed the product or whether they took easily available steps to reduce infringing uses.
"There is substantial evidence in MGM's favor on all elements of inducement," Souter wrote. Sounds like an inducement test. How strong is it? We will have to wait for the decision to see.
UPDATED - Links to Discussion Continuously, throughout the day
For masochists: Slashdot: Your Rights Online: Supreme Court Rules against Grokster
Public Knowledge statement from their president Gigi Sohn: Today's Court decision in the Grokster case underscores a principle Public Knowledge has long promoted -- punish infringers, not technology. The Court has sent the case back to the trial court so that the trial process can determine whether the defendant companies intentionally encouraged infringement. What this means is, to the extent that providers of P2P technology do not intentionally encourage infringement, they are exempt from secondary liability under our copyright law. The Court also acknowledged, importantly, that there are lawful uses for peer-to-peer technology, including distribution of electronic files 'by universities, government agencies, corporations, and libraries, among others.'
The Court is clearly aware that any technology-based rule would have chilled technological innovation. That is why their decision today re-emphasized and preserved the core principle of Sony v. Universal City Studios -- that technology alone can't be the basis of copyright liability -- and focused clearly and unambiguously on whether defendants engaged in intentional acts of encouraging infringement. The Court held expressly that liability for providing a technological tool such as the Grokster file-sharing client depends on 'clear expression or other affirmative steps taken to foster infringement.' What this means is, in the absence of such clear expression or other affirmative acts fostering infringement, a company that provides peer-to-peer technology is not going to be secondarily liable under the Copyright Act. Douglas Lichtman: Lichtman: Hollow Victory in Grokster.
He is disappointed that the Court didn't follow the liability rule that he supported, inducement can be difficult to prove.
Larry Solum makes an excellent point about the concurrences and their two very different takes on the Sony standard (Solum: The Grokster Concurrences).
More Solum: Solum: A Legal Engineering Failure. Each of the important P2P filesharing cases has involved a failure of "legal engineering"--the legal design of the P2P business. In the Napster case, the failures were the most egregious--with "smoking gun" memos indicating that the purpose of Napster was to faciliate copyright infringement. In Grokster, the failures were almost as bad. C.E. Petit extends Solum's point and responds to Susan Crawford: Balanced or Evasive?.
Lior Strahilevitz: Grokster and Bongs. 'nuff said.
Me, from the Wall Street Journal Grokster Roundtable I would like to pose some questions. Imagine that Sony had been a nefarious group of active inducers when they brought out their Betamax. Suppose that there was ample evidence that Sony fully intended and explicitly encouraged Betamax users to infringe copyright with their videotape recorder (ads, internal emails, business plans). Consequently, under this standard, sales of the Betamax were shut down. What happens when VHS comes along? What will the makers of VHS have to do in order to avoid liability thanks to the bad actions of Sony? In this decision, the Court emphasizes that StreamCast and Grokster followed in the wake of Napster and wanted to capture Napster's users. But, heck, iTunes wants to capture Napster's users as well. What would StreamCast and Grokster have to have done in order to avoid liability for following in the footsteps of bad actor Napster? What will the next developer of P2P have to do if Grokster and StreamCast are found liable in the lower court? Ed Felten, Freedom to Tinker: Business Model as Evidence of Intent and Legality of Design Decisions, and Footnote 12 in Grokster.
More attention for footnote 12 from Randy Picker: The Lurking Design Issue in Grokster.
Kathleen Sullivan has a good summary on SCOTUS Blog: Hollywood Beats Grokster But Not Silicon Valley
EFF press release: Supreme Court Ruling Will Chill Technology Innovation. "Today the Supreme Court has unleashed a new era of legal uncertainty on America's innovators," said Fred von Lohmann, EFF's senior intellectual property attorney. "The newly announced inducement theory of copyright liability will fuel a new generation of entertainment industry lawsuits against technology companies. Perhaps more important, the threat of legal costs may lead technology companies to modify their products to please Hollywood instead of consumers." William Patry : The Court Punts. Must reading, of course. I need as most do, more time to sort through this, but my first read through is negative. We have two very different visions, Ginsburg's camp, which focuse more on what the hard evidence is now, and Breyer's, which focuses on the promise of technology, with three votes uncommitted to either camp. Regardless of whose side you favor, that kind of split is not helpful. Indeed.
Hilary Rosen in the Huffington Post: The Wisdom of the Court , Part 2. But knowing we were right legally really still isn't the same thing as being right in the real world. We had that euphoria with the first Napster decision. I hope my former colleagues remember that. Derek Slater on DeepLinks: What is Inducement?. Indeed, the Court harped on the companies' mere decision to market to Napster users. Because some Napster users infringed, advertising themselves as new Napsters indicated "a principal, if not exclusive, intent on the part of each [company] to bring about infringement." Even use of the -ster suffix drew the Court's ire. (Friendster, you're on notice.) Yeah, this is a real problem. You have to remember that the technology in Grokster is substantially dissimilar. Yet, by aiming for the same market as the original Napster, they get in trouble. What of the new Napster, which even retains the same name?
Rebecca Tushnet on SCOTUS Blog: More Questions than Answers. This leads into my big questions: What would this opinion really have meant for the VCR? Would See any TV show you want to, anytime you want to see it or build a library count as enough obvious encouragement of librarying which was not found to be fair use to justify a finding of contributory infringement? (Im still looking for a copy of the build a library ad, unfortunately.) What about any TV show in the context of pay cable, which again was not analyzed as fair use when the Court looked at time-shifting free broadcast TV? See the question I asked above, as well. Tushnet is more concerned about this decision than I am. I don't think SourceForge needs to worry too much. But there are others who will.
Eric Goldman has an excellent summary: Grokster Supreme Court Ruling. Really good stuff.
Fred von Lohmann discusses points he made before the decision and how they apply after the decision: Supreme Court Sows Uncertainty.
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Posted by Ernest Miller
Where I'll be reading about the decision:
This post will be updated ...
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June 26, 2005
Posted by Ernest Miller
The pre-Grokster commentary continues. Boy will I be glad when we finally get a decision.
Hilary Rosen weighs in from the Huffington Post, arguing that the marketplace is where the issue will really be settled: The Supreme Wisdom of Not Relying on the Court: This is a big case with lots of money poured into it from all sides. It is said that the Supreme Courts decision will be one of the most important copyright cases ever on the books. I think it has all the makings of being famous for another reason. Because while the victory of whoever wins maybe important psychologically, it just wont really matter in the marketplace. The article is also interesting in that Rosen now self-identifies as a consumer. As if. And, yes, the marketplace will create a solution, but the law creates the marketplace. Does Rosen think the marketplace would be the same no matter the decision?
Chris Nolan looks at the meta-commentary in eWeek (Preparing for the Grokster Watershed). No matter what the decision, the lawyers and lobbyists win as the case will move from the judiciary to the legislature. The fight to change copyright law isn't going to be cheap, short or sweet for anyone.
Scrivener's Error continues to get a jump on the competition (Another Advanced Note on Grokster). Another change in rhetoric that I'd prefer to see is eliminating the purported distinction between contributory and vicarious copyright infringement; instead, I prefer the term "indirect", which is less inflammatory, more accurate. and a better description of the general class of behavior without getting bogged down into questions of "fault." Copyright is, after all, a strict liability statute; importing fault into it should concern only the remedy (or perhaps highly limited defenses), not liability. However, that would require a wholesale rewriting of the law of indirect infringement by Congress, which Congress explicitly refused to do when adopting the DMCA. [emphasis in original] UPADATE 0810PT
For post- Grokster commentary see here: Grokster Loses - Unanimously - Inducement Test?.
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June 25, 2005
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Fred's Friendly Fathomable Guide to the Grokster Decision
EFF's Fred von Lohmann provides a reader's guide to the Grokster decision (Grokster Reader's Guide). Main Event #3: Inducement? There has been much talk about whether any such thing as "inducement liability" exists in copyright law and, if it does, what its scope might be. Justices Ginsburg and O'Connor asked several questions about the idea during the oral argument; Justice Scalia expressed skepticism. Don Verrilli, arguing for the entertainment industry, said that inducement liability would not be enough to address the concerns of copyright owners. What will the Court have to say about this uncharted territory? via Copyfight UPDATE 1405PT Scrivener's Error also has some suggestions on reading the decision ( A Short Reminder About Grokster).
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RIAA: Efficiency Increases, Must Be Due to Pirates
The Listless Lawyer isn't too listless to notice the RIAA's shady use of language (The RIAA Lies
Well, Nobody Dies, But Its Still Pretty Dishonest). According to a recent piece in the Washington Post, the RIAA has found a new way to continue claiming (against the evidence) that they are being killed by file sharing: focusing on “shipments”, rather than sales or profits. [link in original] Listless then references Begging to Differ ( For Shame). The magic word is "shipments". Have a look here. Music retailers tightened up their ordering methods using a system called SoundScan that tracks CD sales on a per-disc basis. This greatly increases efficiency -- a clearer picture of demand means fewer unsold albums have to be returned to the label. Yes, fewer discs are being shipped, but sales are up. Revenues are, too -- although of course that was bitten into by the industry coming to a large settlement over price-fixing. [link in original]
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June 24, 2005
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Goldman on Copynorms: Is Infringement Theft?
Eric Goldman notes a news report on a study that found the British didn't equate copyright infringement with "theft" (Is Copyright Infringement "Theft"?). If this attitude holds true in the US as well, it would represent a colossal failure of the movie/music/software PR machine. For years, the copyright owner groups have tried to shape public perception of copyright infringement by using value-loaded words to describe infringement: "pirate," "theft" and "just like shoplifting" are among the standard lingo of the lobbying/PR efforts. Yet, to the extent Americans can distinguish copyright infringement and "theft"/"shoplifting," then a major axis of the copyright owners' efforts will have failed. Goldman then considers some of the implications and the effect of copynorms, though he doesn't use that term. He also points to a paper of his I'll have to read when I get a chance: A Road to No Warez: The No Electronic Theft Act and Criminal Copyright Infringement. Despite the extended criminal boundaries, a review of the post-passage developments suggests that the Act has been unexpectedly ineffective. To fully understand why, this Article focuses on a group of infringers known as warez traders. While Congress did not specifically reference warez trading in the Act, warez traders were its prime target. Yet, Congress did not fully understand this sociological group or their motivations, resulting in a law poorly tailored to conforming their behavior. But in drafting a broad law to cover warez trading, the Act overstates the harm experienced by copyright owners. This expansive standard for harm covers activities necessary to function in a digital society, unnecessarily turning too many average Americans into criminals. Corrective legislation is required to more precisely distinguish between truly culpable behavior and socially beneficial conduct.
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Pre-Grokster Weekend Reading
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June 23, 2005
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Audible Magic's Security Through Obscurity Critized
Ed Felten rips apart the security through obscurity of CopySense, the black boxes promoted by Audible Magic to filter p2p on networks (Content Filtering and Security). CopySense boxes run general-purpose operating systems, so they are prone to security bugs that could allow an outsider to seize control of them. And a compromised CopySense system would be very bad news, an ideal listening post for the intruder, positioned to watch all incoming and outgoing network traffic. How vulnerable is CopySense? We have no way of knowing, since Audible Magic doesnt allow independent evaluation of the product. You have to sign an NDA to get access to a CopySense box.
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Posted by Ernest Miller
The FTC has finally released a report on a p2p workshop held back in December, 2004. Read the 51-page report (FTC Staff Workshop Report: Peer-to-Peer File-Sharing Technology: Consumer Protection and Competition Issues [PDF]). I've only looked at the conclusions, but it sounds like a balanced, non-alarmist report. A couple of conclusions of note. First, the FTC doesn't want to take any action until Grokster is decided: Because the United States Supreme Courts decision this summer in Metro-Goldwyn Mayer Studios v. Grokster, Ltd., likely will clarify the legal framework applicable to P2P file sharing and may have a profound effect on the future structure and impact of P2P file-sharing programs, FTC staff does not believe that it would be prudent at this time to make specific recommendations regarding the intellectual property issues raised by P2P file sharing. [footnote omitted] Well, it's a good thing they released the report today ... next week that conclusion would have looked a little funny. But it also means that the FTC will want another workshop or similar (as well as some time for Grokster to take effect) before making any major moves.
The other conclusion that is important is the one that really makes p2p programs part of the FTC's baliwick - whether they trick customers in various ways. The FTC isn't convinced p2p is a special problem. Many of these risks to consumers are not unique to P2P file sharing, but also exist when consumers engage in other Internet-related activities such as surfing websites, downloading software, and using e-mail or instant messaging. Workshop participants submitted little empirical evidence concerning whether the risks arising from P2P file sharing are greater than, equal to, or less than these risks from other Internet-related activities. via Constitutional Code
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Slater on Mercora's Legal Hacks
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Grokster: The Waiting is the Hardest Part
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June 22, 2005
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INDICARE on Subscription vs. Download
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June 21, 2005
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EEJD on Grokster's Middle Ground
In more pre-Grokster anticipation, EEJD endorces the "active inducement" test for secondary liability in copyright (Middle Ground in Grokster). One middle ground approach would be for the Supreme Court to balance Sony's "substantial noninfringing uses" test with an "active inducement" test, similar to the existing secondary patent infringement regime. The Court borrowed from patent law before in Sony, and thus could do the same in Grokster. For what it's worth, a strong active inducement test, as in patent, wouldn't be a bad outcome.
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Freakonomics Meets P2P
Interesting alternative compensation scheme on p2pnet.net (PayPal and the RIAA). Definitely worth a read. I'm not sure how it would work under the current legal regime, but it would be interesting to see someone give it a try. One of the big problems I see is that no one can really threaten to take the bagels away completely. via GrafoDexia
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June 20, 2005
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Study Looks at US Attitudes Toward Filesharing
P2Pnet.net reports on a recent study about American attitudes towards P2P (Americans Split Over File Sharing). US public opinion is divided over p2p file sharing, says a new survey of a random sample of 1,062 Americans conducted last month. Forty-five percent say file sharing services should be outlawed while 39% say they should be allowed, states Digital Life America, a research program launched by Solutions Research Group in Toronto, Canada. The article goes on to break down some of the distinctions based on age (younger people are more in favor of keeping P2P legal) and other characteristics.
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Howell Explores Grokster's Potential Outcomes
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Posted by Ernest Miller
Missed this last week, but apparently every CEO in the music industry's various associations was in Napa Valley last week to organize a concerted response to the imminent Grokster decision (BusinessWire | Music Organizations' Leadership Gathers for Industry-Wide Discussions). Yesterday, the leaders of key music organizations completed a two-day CEO retreat focused on issues confronting the industry as well as strategies to ensure a healthy future for the U.S. music community.
A first-of-its-kind conclave, the retreat brought together the top leaders of virtually every component of the music industry to engage and share information and perspectives on issues of the day. A broad range of topics was discussed, and the impending Grokster Supreme Court decision and concerns regarding music piracy figured prominently and engendered great cooperation and unity of purpose.
Entertainment attorney John Frankenheimer, who served as the moderator/facilitator for the retreat, stated: "It is clear that there is commonality of interests across a broad series of issues within the industry. This was an invaluable opportunity for the music industry's leadership to candidly exchange ideas and perspectives and identify common ground."
Organizations whose leaders attended were: The Recording Academy(R), Recording Industry Association of America, The Songwriters Guild of America, American Federation of Television and Radio Artists, American Association for Independent Music, American Federation of Musicians, Church Music Publishers Association Action Fund, Gospel Music Association, Harry Fox Agency, National Association of Recording Merchandisers, National Music Publishers' Association, Recording Artists' Coalition, R&B Foundation, SESAC, and SoundExchange.
A commitment was made both to future meetings and continued cooperative effort. Digital Music News has a bit more ( Top Music Executives Convene Ahead of Supreme Court Ruling).
Obviously a press blitz is on order, but I wonder what sort of legislative shenanigans (both federal and state) they're planning.
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Posted by Ernest Miller
So, there I was, sitting in hot standby to blog the heck out of decisions in Grokster and/or the Brand X case, but the Supreme Court has held those decisions once again. From SCOTUS Blog (Court Decides Six "Second Tier" Cases): The Supreme Court, on a day on which it issued six decisions, released none of the major controversies still to be decided -- the Ten Commandments displays cases, music and movie downloading and copyright, government seizures of private property for private re-development, and access to cable companies' broadband lines for high-speed Internet connections.
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+ TrackBacks (0) | Category: Copyright | File Sharing | Telecomm
June 19, 2005
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Grokster Predictions
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The Darknet Dance
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Mixtapes, Playlists, Culture
In From Mixtape to Playlist, Derek Slater wonders about the potentials for social recommendation tools for music. My hope is that these burgeoning taste-sharing tools can help restart a conversation about how technology can unleash a richer musical culture. We should be celebrating what technology can do for music. Who could object to consumers enjoying music more, enjoying a greater diversity of music, being more creative, engaging music more deeply, and coming together with each other because of music? That's the positive vision I'd like to explore in relation to these tools.
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June 17, 2005
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Warner Bros. Demands Dutch ISPs Violate User Privacy in Order to Get Licensing Deals
Constitutional Code reports a disturbing demand from Warner Bros. to Dutch ISPs (Warner to ISPs: Content for Names). During a seminar on "online piracy" in the Netherlands last week a representative of Warner Home Entertainment made it clear that Internet Service Providers won't get movie content licensed, unless they provide the indentifying information of their customers on demand.
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June 16, 2005
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Goldman on Grokster
Prof. Eric Goldman makes his Grokster prediction (Grokster Watch). Supreme Court reverses the Ninth Circuit, but writes a narrow opinion that effectively limits itself to the Grokster facts--thus avoiding broad pronouncements on contributory liability generally or a major recasting of the Sony doctrine. Whatever the Supreme Court rules, I further predict that Grokster--and all of us--lose eventually. Either the Supreme Court reverses the Ninth Circuit or I predict that Congress will reverse the Supreme Court statutorily. Personally, I'd favor a narrow Supreme Court reversal over seeing Congress screw up any effort to draw lines between legitimate and illegitimate contributions to infringing activity.
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Music: Rent or Buy? The Ongoing Debate
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Posted by Ernest Miller
Pennsylvania's Times-Leader republishes a Mercury News report on the increasing use of DRM for audio CDs by the major labels (Music Industry Eyes 'Casual Piracy'). What disturbs me is the way that the music industry is now framing the argument: The music industry considers the seemingly innocuous act of duplicating a music CD for someone else "casual piracy," a practice that surpasses Internet file-sharing as the single largest source of unauthorized music distribution. After fits and starts, the industry's largest players are taking measures to place curbs on copying. Note especially that "casual piracy" is supposedly even worse than internet copyright infringement. Gee, if Congress has to pass laws against P2P filesharing services, what sort of laws will be necessary to stop what will likely soon be called "the greatest threat the music industry has ever faced"?
Instead of focusing their efforts on unrestricted public distribution via P2P networks, the record labels are poising themselves for an attack on copying/sharing among family members and friends. This doesn't seem to me a wise way to attempt to set copynorms. I've long supported the idea of "sharing with friends, not strangers" as a way to reinforce reasonable copynorms. See, Larry Solum, Copynorms and Nesson's Koan.
People want to share music with their friends and family and they see nothing wrong in doing this. In trying to characterize such sharing as criminal activity the recording industry will only be undermining support for copyright as a whole (To Save Copyright We Must Reform It): The RIAA has taken the strategically foolish position that all filesharing is wrong. To most people outside of the ABA's IP bar, such an uncompromising approach to all filesharing is clearly incorrect. Most people believe that some sharing (particularly with friends or family) is legitimate, but other sharing is not. To the extent that the RIAA is not willing to compromise its position on filesharing, people will increasingly reject the idea that any filesharing is wrong. This is not a healthy development for those who believe that copyright is worth saving. The only way to save copyright is to reform it. But that is precisely what the recording industry seems intent on accomplishing: For consumers, it signals an abrupt change to the rip, mix, burn mania embodied by the 2001 Apple Computer ad campaign promoting the first iMac computer with a CD burner and software for creating custom music CDs. These new copy-protected discs limit the number of times people can create copies of music CDs or add individual songs to music mixes. An "abrupt change", indeed. The music industry doesn't seem to understand that it is unencumbered MP3s that are filling the iPods of the world ( 21 iTunes per iPod). "You can do with the CD you bought what you do with it if you're within the realm of personal use," said Thomas Hesse, Sony BMG's president of global digital business. "You can burn a copy that you play in your car or a copy that your son plays in his bedroom or make a personal mix. That's fine. That's the way people listen to music these days. If you attempt to burn 20 copies and distribute them to the kids who come to your son's birthday party, that's not possible." Um, no. Please, three copies? That's not going to cut it, even if it is only for personal use. I've owned 3 MP3 players alone (and I'm not a guy who spends a lot of money on gadgets). I burn new mix CD-Rs (whatever I'm into at the time) whenever I plan an extended road trip. I sometimes make mix CDs with a sampling of music I think is cool for friends, just to turn them on to something new. And I'm hardly some sort of music power user.
You know, by the way, that I bought that music expecting it to be available to me for several more decades. You think the "burn track seven times" is all I'm going to need for those decades?
All this DRM will accomplish is to encourage people to bypass it, to download the inevitable DRM circumvention devices. They might be illegal, but they'll be available on the internet. Or, it will encourage people to use P2P programs to download the music they've already purchased. And, once they're on the filesharing network, why not download a few songs they haven't purchased? After all, if the record companies are going to make life hard for them with regard to music they've actually spent money on, they might rationalize that they've earned some free music.
In other words, record labels will only succeed in encouraging disrespect for copyright law. Thanks a lot, you bunch of short-sighted morons.
via EEJD
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Posted by Ernest Miller
Well, my last two posts have been about Macrovision's copy-protection, this one might as well be too. See, Macrovision Invokes DMCA for Analog Copy-Protection Technology and Mark Cuban Has Questions About the Macrovision DMCA Lawsuit.
Anyway, the copy-protection scheme that Macrovision provides for DVD players is called Analog Content Protection. Macrovision claims that, Macrovision ACP prevents or distorts copies of DVDs made over an analog interface to DVD recorders, PCs, digital video recorders (like TiVo, ReplayTV and Media Center PCs), in addition to D-VHS recorders (DVRs) and VCRs. By preventing copying onto digital devices, Macrovision ACP dramatically reduces the digital sharing of this content, including sharing among PCs, DVRs, and over peer-to-peer networks. When you don't want to call something a lie, you might use the phraseology, "it is, at best, highly misleading."
Well, the above claim by Macrovision is, at best, highly misleading. At best, Macrovision prevents some users from uploading new files onto filesharing networks. It reduces this initial dispersion of the files. Unfortunately, that is a pretty high cost for very low return: Speed Bumps on Your Car.
In this next paragraph, Macrovision demonstrates excellent use of qualifiers and half-truths. I shall annotate. Macrovision ACP is the worlds leading device-to-device analog content protection system [Thank you, 17 USC 1201(k), which mandated use of the technology], protecting over 4.5 billion DVDs for Hollywood and other rights owners since the formats introduction [Protecting them from what? The internet? Commercial infringers? It is interesting that they protect "DVDs" and not "copyrighted works"]. Macrovision ACP closes the analog hole on nearly every DVD player, DVD recorder, PC, and digital video recorder. [Nearly. In a world where reproduction is effortless, "nearly" doesn't count for much.] It is supported through a worldwide ecosystem which includes extensive licensing to PC, CE and IC manufacturers. [Why does Macrovision act as if legal mandates aren't the real reason for this extensive licensing, like they did it themselves or something?] In support of this worldwide content protection ecosystem, Macrovision has developed industry-accepted test and certification facilities used to support proper functioning of ACP on nearly all manufacturers DVD players, drives, and recorders prior to market release. [There's that "nearly" again.] Gosh these guys are good. No wonder they got Congress to mandate their technology.
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+ TrackBacks (0) | Category: Digital Millennium Copyright Act | Digital Rights Management | File Sharing
June 15, 2005
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Scriban: Big Content is a Cancer on Innovation
In a post about the pre-Grokster spin, Blogaritaville expresses frustration with Hollywood (As Grokster Decision Nears, Hollywood Talks Tough): I grow weary of the Valentis, Rosens, and Glickmans. Their ceaseless calls for government regulation to preserve their business. Their mind-numbing repetition of shamefully twisted statistics "proving" their losses at the hands of "pirates." Their doublespeak usage of terms like "free market." Their threat to cut off your movies and music unless they get everything they want. Big Content is like a cancer on innovation. Either we cut it out, or it will kill us.
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Posted by Ernest Miller
The Grokster decision is expected any day now (well, not any day, Mondays are preferred), but the post-decision spin is already beginning. The MPAA's CEO, Dan Glickman, is already making with the "opponents of copyright maximalism are communists" schtick (Glickman Presses 'Protections'): "Shall we keep in place legal protections that promote the free market, or shall we tear down those protections in such a way as to allow the black market to prosper and dominate?" he asked. "If we have learned anything over the past 50 years with the collapse of communism and the triumph of free-market capitalism, we have learned that abusing private property rights actually leads to less creativity, less technological development and less freedom." It is particularly hilarious how the former Democrat attempts to sway the Republican-controlled Congress: With that in mind, Glickman sought to associate the studios' cause with former president Ronald Reagan, a one-time Hollywood figure who remains highly popular among the Republican leadership that controls the levers of power on Capitol Hill.
"I was a great admirer of Ronald Reagan when he was president, and I was a [Democratic] member of Congress from Kansas," Glickman said. "In fact, I often voted with him, which made the leaders in my own party very unhappy."
Glickman noted that he and Reagan enjoyed careers in both Hollywood and politics. Another group that is trying to take advantage of the Grokster decision are those pushing a particular commercial solution ( Why Grokster Case Is A Marketing Dream): Snocap is not alone in mugging for the camera as file sharing's day of reckoning approaches. Across the country in Virginia Beach, Va., Wayne Rosso is hoping to announce the first record-label partner and the test-phase launch for his new legitimate file-sharing service, Mashboxx, which is based on the Snocap system. In terms of the publicity he can generate for the news as a result of the Supreme Court ruling, "it's going to be like shooting fish in a barrel," he says.
Mr. Rosso has an added advantage: He is the former chief executive of Grokster Inc., the defendant in the case. "My phone rings off the hook every time a justice sneezes," he says. At those moments, Mr. Rosso leans back in his leather reclining chair, puts his feet up and starts dishing out the juicy quotes journalists came to expect from him while the Grokster case wound its way through the courts. Yeah. Thanks.
via GrafoDexia
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Posted by Ernest Miller
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June 13, 2005
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Average Size of Shared Files Nearly Triples Since 2002
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June 12, 2005
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Copyright Infringement is Like Starving a Giant Tamagotchi
The London News Review (yeah, I never heard of it either) has a good time looking at the inanity of some mediocre artist's fans discussing copyright infringement of her work (Music Piracy: How Rachel Stevens Fans are Fighting the Good Fight). And this is why music piracy is such a danger to the true fan: because it utterly devalues their investment - and the fans realise this. Rachel's CD sales suffer, Rachel's none-too-robust career suffers, and she takes another half-step towards obscurity. And the death of Rachel's career will mean the wiping-out of every fan's investment. And they cannot allow that to happen. Rachel Stevens is like a giant tamagotchi - fed by her fans, starved by the pirates. The more the pirates steal from her, the more the fans have to buy and buy and buy, until eventually their pocket money dries up, and Rachel dies. [emphasis in original] via Slyck
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June 10, 2005
Posted by Ernest Miller
David Hales and Simon Patarin, both with the Dept. of Computer Science at the Univ. of Bologna in Italy, have written an interesting paper on altruism in BitTorrent and why free riding is relatively rare.
Read the 11-page paper: How to Cheat BitTorrent and Why Nobody Does [PDF].
The abstract: The BitTorrent peer-to-peer file-sharing system attempts to build robustness to free-riding by implementing a tit-for-tat-like strategy within its protocol. It is often believed that this strategy alone is responsible for the the high-levels of cooperation found within the BitTorrent system. However, we highlight some of the weaknesses of the approach and indicate where it would be easy to cheat and free-ride. Given that cheating of this kind currently appears rare, this motivates the question: why is the system not dominated by free-riders?
We advance a hypothesis which argues that BitTorrent may resist free-riders in a way that has not been previously fully comprehended. Ironically, this process relies on what is commonly believed to be a weakness of BitTorrent - the lack of meta-data search. One consequence of this is to partition the BitTorrent network into numerous isolated swarms - often with several independent swarms for an identical file - which is one of the necessary conditions for a kind of evolutionary group selective process, a process that has been recently identified in similar simulated systems.
A further implication of the hypothesis is that, given the choice, users may choose unconditional altruism rather than the more restrictive reciprocal tit-for-tat approach as a result of the same group selective process. Free riding is a major issue for filesharing programs, and can greatly degrade their performance. It is a vulnerability that those who wish to make filesharing networks less popular can exploit. BitTorrent has been remarkably resiliant to this so far.
This paper demonstrates how that resiliancy may not last. The authors show how it is possible to free ride on BitTorrent; it just doesn't make a lot of sense for users.
However, and this is something the paper doesn't go into, if there is an external motivation to free ride (like, I don't know, you don't want to get sued by the MPAA for uploading), then users may find it to their advantage to free ride, thus decreasing the utility of BitTorrent. Of course, if free riding does become prevalent, there are means to thwart it. However, this would probably lead to a code arms race that would likely have unintended consequences, such as a loss of privacy.
A clever copyright industry would figure out how to take advantage of this. Luckily for users of BitTorrent, that is probably not something they need to worry about.
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Posted by Ernest Miller
In certain ways, college campuses have been ground zero for the filesharing wars. College students are the ideal market for filesharing programs. Among other things, they almost certainly have a reasonably decent computer, fast internet access through the college campus, a dearth of money with which to purchase entertainment, a strong desire for entertainment, and the time to search for good files. Heck, many filesharing programs were originally designed by college students. Consequently, filesharing is very popular on college campuses.
This has caused a bit of a dilemma for college administrations and IT departments. There is, of course, the network resources that unabashed filesharing consumes. There is also the more important issue of discouraging copyright infringement while protecting the free flow of information in an academic environment. What is a college campus to do?
Enter the Electronic Frontier Foundation, with a new report that answers that question.
Read the press release: Fighting Infringement on Campus Peer-to-Peer Networks. "The music and movie industries want schools to spy on their students and ban whole categories of computer programs from the learning environment," said EFF Staff Attorney Jason Schultz. "But there are ways to reduce infringement without undermining education and research. This paper explains what they are." Read the report: When Push Comes to Shove: A Hype-Free Guide to Evaluating Technical Solutions to Copyright Infringement on Campus Networks.
It's a clear, concise report. Every college IT department dealing with these issues should read it.
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June 09, 2005
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Samuelson's Berkeley Students Offer Potential Solutions for 'the P2P Problem'
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Darknet's Jack Valenti Interview
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Posted by Ernest Miller
The Los Angeles Times reports that Warner Brothers has tried something innovative to combat copyright infringement in China (Warner Gets a Jump on Film Pirates in China). In a groundbreaking response to movie piracy, Warner Bros. Entertainment released its latest film on DVD in China the same day it debuted in U.S. theaters.
The goal for Warner is to battle rampant piracy in China by giving movie fans a legitimate alternative to bootlegs. But the boldness of Warner's action, which it took last week with no fanfare, was tempered by its choice of movie: "The Sisterhood of the Traveling Pants," a relatively low-budget film that the studio had not planned on releasing in Chinese theaters.
.... Hoping to make unauthorized copies of "Pants" less appealing outside China, Warner included no extra features on the DVD. It also added Mandarin subtitles that cannot be hidden, said Yotam Ben-Ami, an anti-piracy executive at the studio. Yes, enforcement of copyright will always have to be part of any system of copyright. You're going to need a stick. But carrots can be even more effective sometimes.
For example, I expect that Warner will recoup more of its "losses" due to infringement from early release of the DVD then from attempting to stop the infringement in the alleys of Shanghai. They'll probably also benefit from a little good will, given that the Chinese audience won't be permitted to see the film on the big screen at all.
Now if only we could get them to try something similar here in the US. Maverick Movie Distribution, anyone?
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June 08, 2005
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Two Positive Reviews of CDT's Report
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Copyright North of the Border
I realize I'm a bit late in blogging this, but if you haven't, you really should read ubercanadiancyberlawprof Michael Geist's most recent column on the status of lawsuits against file sharers (The State of File Sharing and Canadian Copyright Law). The differences between Canadian and US law are illuminating. See also his post on the likely introduction of a very content industry-friendly copyright "reform" bill (Fact and Fiction).
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Felten on CDT's Report
Below, I reviewed CDT's new copyright policy report (CDT's 'Balanced Framework' for Copyright Completely Unbalanced). Ed Felten thinks I am too harsh on the report, but also thinks CDT neglected the fact that we are all content creators now (CDT Closes Eyes, Wishes for Good DRM). What they really mean, of course, is that some producers are more equal than others. Those who are expected to sell a few works to many people or, given the way policy really gets made, those who have done so in the recent past are called producers, while those who produce the vast majority of new copyrighted works are somehow called consumers. Read the whole thing.
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June 07, 2005
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Slater on Mercora's New Web-Based Search
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Posted by Ernest Miller
Got an email from a traditional press reporter today. She wanted to know if I could handicap the Supreme Court Justices with regard to the soon-to-be-decided Grokster case. I had to respectfully decline as I am particularly bad in these Justice guessing games, particularly when the decision cuts across so many ideological lines. I did give her a list of names of people much wiser in this area than myself. I'm making no predictions for Grokster, other than it is likely to be extremely important.
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Posted by Ernest Miller
The Center for Democracy and Technology has released a report today arguing on behalf of a balanced approach to copyright enforcement, a carrot and stick (CDT Proposes Balanced Framework for Online Copyright Protection). via Constitutional Code, which has many worthwhile comments
Read the 14-page report: Protecting Copyright and Internet Values: A Balanced Path Forward: Version 1.0 Spring 2005 [PDF].
Note: I've long favored the carrot and stick approach. See this interview with GrepLaw in September, 2003 (Ernest Miller on DRM, Privacy and Hemingway). (You know, I think my answers stand up to the test of time pretty well.)
However, I think the CDT report favors the stick a bit much, treats citizen/creators as mere consumers, doesn't consider structural reform of copyright law, and doesn't provide much in the way of a carrot, among other flaws.
Read on for a more detailed take on the report...
...continue reading.
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+ TrackBacks (0) | Category: Broadcast Flag | Copyright | Digital Millennium Copyright Act | Digital Rights Management | File Sharing | Freedom of Expression | INDUCE Act
June 05, 2005
Posted by Ernest Miller
During the 1990s, there was a boom in the sale of CDs. A significant part of this boom was due to the "CD replacement cycle," during which many people replaced their old vinyl LPs with new CDs. These were essentially freebie sales for the recording industry, which was able to make a quick buck by transitioning their back catalogs to CD. The good times couldn't last, of course, and CD sales declined, in large part because the replacement cycle ended. See, among others, BBC News (Stopping the Pop-Swappers).
So, where are we in the DVD replacement cycle? DVD has pretty much wiped out VHS and there are many who are replacing VHS libraries with DVDs, which is probably having a very nice effect on Hollywood's bottomline. Additionally, there is a big sale of back catalog stuff, particularly old television shows that were never released on VHS. Eventually, however, these good times are going to have to end. The question is, how far away is this? How big will the drop be? And, how much will the MPAA blame on copyright infringement?
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Posted by Ernest Miller
They haven't come out and said it directly, but that would appear to be what Warner Music Group is claiming according to statements they made to the music publishing company Third Story Music. I wrote about this story last week (Licensed Music May Backfire on Recording Company). Basically, Tom Wait's publishing company is suing WMG for additional royalties, since they get more for third-party licenses as opposed to sales and DRM-encumbered downloads are licensed, not sold.
However, I missed this reply from WMG: The action says that in February, Third Story sent a formal notice questioning the accuracy of royalty statements to WMG. The music company replied in March that downloads "are sold to customers such as iTunes and Listen.com just as physical product is sold to...Best Buy and Virgin." Whoa nellie! If WMG is merely selling the equivalent of physical product to iTunes and Listen.com, that doesn't give iTunes and Listen.com the right to make additional copies and distribute them (for sale no less!) via the internet. Heck, the music industry is quite clear in its position that there is no first sale doctrine for digitally downloaded goods, so even that won't protect iTunes and Listen.com.
If WMG's claim is true (and they should know, shouldn't they?), this is the biggest case of blatant, willful, criminal copyright infringement I've ever heard of. Someone should call the Feds.
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+ TrackBacks (0) | Category: Copyright | File Sharing
June 04, 2005
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Hosting Company Shuts Down Legitimate BitTorrent
Well, it seems that the efforts by the copyright industry to vilify BitTorrent have had some success. Elmwood Strip was attempting to use BitTorrent as a better way to host homemade videos that they had had online since 2001. Unfortunately, their hosting company, 1and1, disabled BitTorrent and told them to knock off the copyright infringement (Cease and Desist!). Elmwood wrote them back: Um, I made that movie. It's mine and I am trying to use Broadcast Machine to host my video files. This is not a copyright infringement at all. I've been hosting it on GamesFirst! (also my website) since we made it in 2001. Please cease and desist these silly letters and allow people to access my legitimate and completely legal personal creations. via BoingBoing
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June 03, 2005
Posted by Ernest Miller
I often talk about a copynorm that I support and think should be explicitly legal, sharing with friends, not strangers. I support private distribution as opposed to public distribution. Well, here is a report from PSFK on the type of sharing I think should be encouraged (Face To Face P2P). Maybe its out of fear of prosecution for illegal downloads or maybe its to avoid tech-imposed exile but there may be a different type of music sharing on the rise. Recently while hanging out in a Salt Lake City coffee spot, some University of Utah students were spotted having a face to face music sharing session. Instead of a digital gathering with countless unseen strangers, about half a dozen students got together for one of their regular swap sessions. Each person was responsible for bringing a couple of cds they thought the others might like or might benefit from exposure to. The music ranged from the Zombies to David Bowie and even a random Billy Joel disc. Each person also carried the discs they had borrowed from other members last time.
The group took turns talking about the new music they brought and some spoke about the new music they had been exposed to. One or two also distributed burned copies of the most popular cds from past gatherings. Another key element seemed to be an overt attempt to be fair about grabbing the most potentially desirable discs from the collective stack. Participants who had gotten really interesting things last time passed up the current potential best items so others had a chance. Now, in this case, such swapping is perfectly legal under the first sale doctrine. But I'm not so sure it would be all that bad or different if they were ripping copies.
via Mobile Technology Weblog
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Independent Record Companies Appreciate P2P
posted by Ernest Miller |
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Waiting for Grokster
posted by Ernest Miller |
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Posted by Ernest Miller
Furdlog is on a roll today. Among other things, he notes the clever legal argument that the publishing company that has the rights to publish musician Tom Waits' music is making in a lawsuit against Warner Music Group. According to a Reuters wirestory on Yahoo! News, Waits' publishing company is suing WMG for not paying enough royalties on downloaded music (Publisher sues Warner Music over Waits tunes). According to the suit, under the terms of the two contracts, Waits was entitled to royalties of either 25% or 50% from revenues derived from third-party licenses. Third Story maintains that digital music downloads constitute a form of third-party license, and that Waits is entitled to payment at that level. You see, when you download music from a service like iTunes, or similar, you don't actually "own" the music. You only "license" the music. In 2003-04 royalty statements to Third Story, WMG computed royalties from Waits' digital download sales at the same (and much lower) rate as royalties from the sale of physical product. Under the terms of the '70s Asylum contracts regarding album sales, Waits would be entitled to either 9% or 13% of the 67 cents received by WMG from each 99-cent download. I'm a big fan of ownership ( Rental Nation Deja Vu). Too bad the recording companies don't believe in it.
Of course, they'll just ensure that all future contracts close this possible loophole.
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June 02, 2005
Posted by Ernest Miller
Rush Limbaugh starts his podcast tomorrow, Friday, June 3rd (El Rushbo Answers Your Podcast Questions). The shows will be available approximately 2 hours after the broadcast ends. In order to get the RSS feed, however, you'll need to be a subscriber to the website which costs ~$60. [Correction: A commentor says the cost is $34.95] Perhaps he might want to consider a teaser 5-10 minute daily show excerpt that is free.
Interestingly, Rush explains to his listeners that he can't include any music in the show due to licensing issues: Now, a number of people -- and you people know who you are -- you are writing me caustic and vicious notes about the fact there will be no music on these MP3s. We will not be able to download with you the theme song, the opening theme. No parodies will be downloadable. We might be able to get away with the bumper music because it's only ten to 15 seconds; it would qualify under fair use, but many of you are saying, "Well, I don't think you know what you're talking about." Right. I don't know what I'm talking about. I run the show and I don't know what I'm talking about. "You don't what you're talking about. Other shows, other shows have MP3s, download, music on them. You can do it." Ladies and gentlemen, (ahem) there's a little bit of a difference between this show and some others -- and that difference is size. Let me tell you why we can't. Really a lot of people are writing me, "Why can't we get the music? I don't understand! The parodies are some of the greatest
" The reason is the music industry is forbidding, unless an exorbitant fee is paid, you cannot essentially copy music for nothing, and that's what would be happening here. If we put the music like the theme song and we put these parodies which are based on existing copyrights that we don't own... You know, we can parody them here on the radio, but that's a one-time usage, but if we then distribute that and allow virtually our MP3 files for all that to be copied we are essentially giving away somebody's product. And it would be one day, and the music industry would be all over us for doing it and we would have to stop it or fight them or whatever, and we couldn't win. We looked into it.
You know, we pay a rights fee every year for the opening theme song, but it does not include the privilege of copying it hundreds of thousands of times for free so that people can have it on their computers. We don't have that license. The same thing goes with the parodies. Now, if other shows are doing it, it means they're either ignorant of the law or they're small enough they don't think they'll get caught or they're small enough that they don't think it will be a big deal if the music industry notices. I don't have that luxury -- and besides, folks, I'm not going to break the law anyway. There's no point in it. Now, at some point I expect this to change. I don't know when, but there will be a way to make this happen at some point. But for now, starting out tomorrow, the legalities are clear -- and if you understand that it's nothing more than copying songs and distributing them for free. You can't do that yourself for your own computer. You can't do it with movies legally. You can't do it with any video legally, but as an individual if you do it, if you get caught, you've seen the FBI warnings on the front of these DVDs that you go out and rent or buy. You get caught, I'm not they're going to come after you. The music industry is dead serious. Hollywood is dead serious about piracy and unauthorized duplication, and that's essentially what we would be doing. So the short answer is our mammoth size makes it impossible for us to do this on a stealth basis like some of these others are apparently able to do because they've been doing it along or either nobody knows or nobody cares. I don't have that luxury. I wonder if Rush would be interested in using music that has the appropriate Creative Commons license?
In any case, if this is successful I can imagine quite a few other radio personalities will jump on it. It could also open up the market for others. We shall see.
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Prof. Ghosh Predicts Grokster Win
Missed this last week, but a Univ. of Buffalo Law School professor, Shubha Ghosh, has predicted that the Supreme Court will uphold the lower court decision in Grokster on a 5-4 or 6-3 decision, according to the Univ. of Buffalo News (Supreme Court Likely to Side with 'Grokster' in Internet File-Sharing Case, Says UB Copyright Expert). "The decision will have implications not only for file-sharing, but for any company that creates technologies that can be used to copy copyrighted materials, including companies that make TiVo players, next-generation scanners and digital cameras," says Ghosh, who helped draft an amicus brief filed by Intellectual Property and Technology Law Professors in support of Grokster. Ghosh also runs the AntitrustProf Blog. via p2pnet.net
posted by Ernest Miller |
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Posted by Ernest Miller
Yesterday, Judge Patel issued her order regarding a motion for summary judgement in the Napster investors case. The defendants are being sued for investing in and controlling the original Napster, and thus are claimed to be liable for secondary (some would say tertiary) copyright infringement.
The motion essentially argued that the plaintiff record companies had failed to make a case of direct infringement, which would mean they could not make a case for secondary liability. The court dismissed one argument for direct infringement, that the index hosted by Napster was, itself, directly infringing as an offer to distribute.
The other arguments, that uploading and downloading by Napster users violated federal copyright law as well as various common law state copyright claims with regard to pre-1972 sound recordings, were not dismissed. However, the court did not rule that there was direct infringement, only that there were material facts in dispute as to whether plaintiffs had demonstrated direct infringement by Napster users, which is enough to beat a motion for summary judgement.
Read the 16-page decision: Capitol Records v. Bertelsmann, Memorandum & Order, Re: Defendant's Motion for Summary Judgement [PDF]. Defendants summary judgment motion focuses primarily on plaintiffs third theory of direct infringement. As noted above, this theory posits that Napster itself directly infringed plaintiffs distribution rights by maintaining a centralized indexing system listing the file names of all MP3-formatted music files available on the Napster network. This is the theory the court shoots down. The case the plaintiffs most relied upon was Hotaling v. Church of Jesus Christ of Latter-Day Saints, which found that libraries which had infringing copies of a work in their collection violated the distribution right when there was evidence of indexing (the infringing copy was listed in the card catalog), but there was no evidence that anyone had actually checked out the particular work. The court found a pertinent distinction: The instant plaintiffs seize upon the cataloging or indexing system in Hotaling and argue that Napsters indexing system is akin to that in Hotaling. There is, however, more to Hotaling than that. In that case the library had a copy of the copyrighted work in its collection. Napster did not have works in its collection; it did not have a collection of recordings. The infringing works never resided on the Napster system. Instead, plaintiffs here seek to establish copyright infringement based on the mere fact that the names of their copyrighted musical compositions and sound recordings appeared in Napsters index of available files. This might constitute evidence that the listed works were available to Napster users, but it is certainly not conclusive proof that the songs identified in the index were actually uploaded onto the network in a manner that would be equivalent to the way in which the genealogical materials at issue in Hotaling were copied and distributed to the churchs branch libraries. The court also notes that the suggestion in Hotaling "that a mere offer to distribute a copyrighted work gives rise to liability under section 106(3) ... is contrary to the weight of [the] above-cited authorities" (see the case for the various cites) and is also inconsistent with the text and history of the Copyright Act of 1976. Judge Patel also dismisses reliance upon the Artists Rights and Theft Prevention Act of 2005, similar to her dismissal of a similar argument in an earlier ruling ( Judge Patel Shoots Down Notion That the Right of Distribution Includes "Making Available"). The court's conclusion on this count: Applying this standard to the case at bar, it is apparent that plaintiffs indexing theory falls well short of meeting the requirements for establishing direct copyright infringement. Rather than requiring proof of the actual dissemination of a copyrighted work or an offer to distribute that work for the purpose of its further distribution or public performance, plaintiffs theory is premised on the assumption that any offer to distribute a copyrighted work violates section 106(3). This is not sufficient to satisfy plaintiffs burden of proving that Napster or its users directly infringed their copyrighted musical compositions and sound recordings, as they must do if they are to hold defendants secondarily liable for that infringement. Accordingly, the court holds that defendants are entitled to summary judgment on this issue. A minor victory for the investors, but the case will go on.
via Silicon Valley Media Law Blog
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June 01, 2005
Posted by Ernest Miller
Derek Slater notes that the music subscription service, Rhapsody, sometimes has particular tracks available and other times, not (Rhapsody's Incredible Shrinking Catalog). I had been listening to the album for a few weeks, when, today, I noticed that I can no longer play "URAQT" off the Universal release, and that the single version is only available for sale and not for streaming. Same goes for "Bucky Done Gone", though I can play it off the Beggar's Banquet release. What gives? Well, this seems to be a problem for the subscription services. Joe Gratz had the same problem a year ago ( The Danger of Subscription Music Services). My comment on Gratz's experience here: No Guarantees with Content Subscriptions.
I'm still rather concerned about a world in which we can lose access to content at any time (Rental Nation). Under subscription services, everyone will have access to everything, until someone decides that no one will have access. With all our history of groups that have aimed to destroy various elements of culture at one time or another, I have to worry about a system that will allow works to be taken away from nearly everyone with a keystroke.
In a previous post I discussed Slater's concept of leakage (The Benefits of Copyright Leakage). Leakage can also protect elements of culture from being disappeared.
Ownership is and will remain an important element of freedom.
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Posted by Ernest Miller
Derek Slater responds to my post on lawsuits against filesharers at UCLA (Whiny Bruins Have a Point) and expands upon one of the points I make regarding the RIAA's responsibility for the success of the original Napster (Ernest on Lawsuits and Leakage). Slater argues that "leaks" in copyright (whether infringing or not), can perform a positive role in creating competition and driving innovation. With respect to this constructive role, it's also worth setting it within the context of a broader viewpoint about copyright: a leaky copyright can be a good copyright. That's not just the case in file-sharing. It's a crucial aspect of fair use. Allowing copying and copying technologies ultimately can help create new markets for copyrighted works, provide people with greater access, more flexibility and more enjoyment in how they use copyrighted works, and in total improve social welfare. If the screws of copyright were tighter, if it did not leak in this way, we wouldn't benefit from the flood of benefits from various copying technologies. Absolutely. Textbook publishers may not like used bookstores, but they function to keep the cost of textbooks at least somewhat in check. Thank you, first sale doctrine!
So, copyright "leaks," even illicit leaks such as much filesharing, can have a positive effect. The rise of P2P likely pushed members of the RIAA to adopt legitimate filesharing much sooner then they otherwise would have. But Slater asks, however, how far should we acknowledge/tolerate this positive effect of filesharing? "Perhaps a part of the reconcilition is a sense that, whatever may have been the meritorious effects of file-sharing during Napster's birth, now competition in legitimate services can become good enough that it's time to call off the dogs."
Well, blatant copyright infringement was never cool. Yet, I don't think that were filesharing to go away, copyright would be in balance. For example, I'm a big fan of eliminating the right of reproduction and focusing on the public/private distribution distinction; "share with friends, not strangers." Part of my argument in favor of the public/private distribution distinction as the focus of copyright law is that it provides a clear means for "leaks." If the RIAA keeps music prices too high, people will engage in more private distribution. When prices are reasonable, there will be less private distribution.
Similarly, I think that the DMCA shifts the balance for leaks in ways that are counterproductive.
I will continue to counsel against infringing public distribution via filesharing systems. Yet, I don't believe that there can be true reconciliation until copyright law is better balanced.
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Posted by Ernest Miller
The Dallas Morning News (reg. req.) runs a story that insinuates that P2P companies could stop child porn on their networks but are reluctant to do so because then they would also be able to stop copyright infringement (Child Porn Tests File-Share Firms). In other words, these companies are scumbags unwilling to fight child porn so they can profit from infringement. Subtext, the Supreme Court should rule against them in Grokster to protect us from child porn: File-sharing companies could find ways to block known illegal files before they're sent, said Detective Greg Dugger, a member of the Dallas Police Department's Internet Crimes Against Children unit.
But then they'd probably have to do the same thing for copyrighted works, and they'd lose their users instantly, he said.
"If one of these clients does the right thing, they'll probably be out of business the next day," he said.
A Supreme Court ruling in favor of entertainment companies could be the way to make P2P companies aggressive about policing their own networks, Mr. Burbach said.
But if the court rules in favor of P2P firms, the industry may have to prove it's no haven for pedophiles, said Rick Wallace, a full-time student in Illinois.
His Web site, www.seewhatyoushare.com, tracks the ways consumers make themselves vulnerable through P2P software.
"At a certain point, when you have children being exploited on networks the way they are, something's got to give," he said. I'm not even going to get into whether filtering would actually work. The facts of the matter seem too confusing for law enforcement: Police who specialize in child porn cases consider P2P networks dangerous because they can disseminate information to many people very quickly.
The P2P networks also give users the misguided impression that they're completely anonymous.
Most popular P2P programs don't have a central repository of data tracking which users are sharing specific material.
Even so, it's possible, with the right tools, to identify P2P users.
Entertainment companies have developed and bought tools that can identify the Internet addresses of P2P users.
Law enforcement agencies have more limited budgets, but they're reviewing similar options. Let's see, P2P networks give users the false impression of anonymity. Doesn't this mean it will be much easier to identify who is sharing child porn? Why would you want to change this impression? If you make P2P illegal or have obvious tracking, the child pornographers will only move to distribution means that are harder to track. Police should be thanking P2P companies for making it easier to catch child pornographers.
And why the focus on what P2P companies can do? It is Hollywood that has the tools to track file-sharing; they've sued over 10,000 people. So, why don't police ask Hollywood to help them fight child porn? Why isn't Hollywood sharing this technology? Seems to me that Hollywood could fight child porn if they wanted, so how come they're not? File-sharing networks are one of many places on the Internet where pedophiles lurk.
They also transmit their images through chat rooms, newsgroups, e-mail and even Web pages. "You can find them just going through Google," Mr. Burbach [Texas deputy attorney general] said. Hmmm. Why aren't they asking for ISPs to run filters to identify child porn files? Seems if you really wanted to stop all these methods, there is only one place to go: the ISP. Of course, if an ISP started filtering everything for child porn, it is likely they would lose their users instantly. So, clearly, ISPs are unwilling to fight child porn in order to maintain their profits.
But then, it is politically more acceptable to bash P2P companies rather than large well-financed ISPs.
UPDATE 0700PT 2 JUN 2005
The author of the article responds in the comments below.
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Posted by Ernest Miller
The Big Picture thinks that the MPAA helping the LA Police by paying for the installation of 10 surveillance cameras (MPAA Paying for Police Surveillance Cameras in LA) is a good idea (MPAA Does the Heavy Lifting RIAA Refused to Do).
I'm all for the MPAA and RIAA expending more of their efforts on combatting criminal counterfeiting. However, I really question whether surveillance cameras are the best way to do it. At best they will merely disperse the criminal activity to other locations.
It is interesting that this method is compared to methods for fighting drug sales. "Similar surveillance systems in city parks have dramatically reduced drug sales." They have reduced drug sales in city parks. Furthermore, like drug sales, stopping criminal counterfeiting is not about arresting the street dealers, but about doing the difficult and costly investigations that will allow the criminal rings to be broken. I'm not sure how surveillance cameras really help to do that.
UPDATE 2025 PT - The Big Picture responds below in the comments.
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Bertelsmann Set to Launch New Circular Rolling Device
EContent reports that Bertelsmann is near to launching a new P2P service that is totally unrelated to the original Napster, which they sunk $85 million into (Bertelsmann Gives P2P Another Try). What sets this P2P apart (other than the DRM for uploading files to ensure no infringement)? According to Wolf, what sets GNAB apart from the P2P pack is that it combines centralized and decentralized download. "There are a lot of P2P platforms and a lot of centralized download platforms, but we think we are unique in combining the two," says Wolf. This combination "opens new possibilities for the delivery and protection of content," he says. Um, don't we already have BitTorrent? via BillboardPostPlay
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May 31, 2005
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Patry on the Supreme Court and Sony
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Reports of the Death of the Golden Goose are Greatly Exaggerated
Good Morning Silicon Valley reports on a new P2P filesharing program that is an open source, fully decentralized P2P application that supports content searches, full anonymity, can run without super nodes, GWebcashes, message boards, index servers, trackers; two peers can find each other even from behind firewalls and NAT and it may be the first P2P network functional requirements of which include things like faked RTP packets to circumvent traffic analyzers and firewalls (Go Tell Aunt Rodi, The Golden Goose Is Dead). And I heard that after a night of fun it will make breakfast for you in the morning. That would be great, but I'm not getting my hopes up yet. I've woken up alone too many mornings.
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MPAA Paying for Police Surveillance Cameras in LA
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Posted by Ernest Miller
UCLA Law Professor Stephen Bainbridge spanks the editorial board of UCLA's Daily Bruin just like Trojan Football has spanked Bruin Football their last 6 meetings (Aww, the Poor Babies). I suspect the basic problem is that you're still just deeply narcissistic. Nobody's ever told you no. Not your parents. Not your schools. Nobody. You've been taught to expect a slap on the wrist at most and, indeed, think you're entitled to getting off easy. So when somebody finally does hold you accountable, your delicate little psyches can't handle it.
Well, it's time to grow up. He is responding to a Daily Bruin editorial attacking the RIAA's lawsuits, which have, for the first time, snagged seven Bruins: Punishments Dont Fit the Crime of File Sharing.
Long time readers of this blog know that I have no real problem with the RIAA's lawsuits (though it would be nice if we could ensure they were enforcing equitably, for example, suing in zip code 90049 as elsewhere [correction: changed zip code to neighborhood I actually mean to refer to]). Unless you go with some government-mandated licensing scheme (something I oppose in favor of voluntary licensing schemes), lawsuits are going to have to play an element in maintaining the system. Without lawsuits or the threat of lawsuits, enforcement would crumble.
Moreover, deterrence is going to require that the penalties be serious and will likely greatly outweigh the actual losses. In other words, If you're infringing 100 albums, in order to deter, the civil penalty is going to have to be greater than $1,000 - $2,000, which is what the albums would have cost had you simply bought them.
Nevertheless, the students, despite their narcissism, have a point. The current statutory penalties are far in excess of what deterrence would council. When the minimum statutory damages for typical filesharing cases are in the hundreds of thousands of dollars, that doesn't really seem particularly reasonable to me. I believe that deterrence can be served by a lesser amount.
Furthermore, while I oppose copyright infringement via filesharing services and council against it, the students do have a point about the music industry doing more to fight it with incentives for legitimate purchases than merely punishing filesharing. Originally, the movie studios priced videotapes at $70-$100+. They didn't believe there was a market for consumers to buy videotapes. Had they continued that pricing policy, they would have encouraged the creation of a thriving black market in infringing videotapes. Such a market may be regretted, but would have been the expected outcome. Similarly, the RIAA is partially at fault for making the original Napster so attractive because there were no real legitimate avenues to meet customer's wants. I'm not saying they're entirely at fault, but anyone could have predicted that without legitimate avenues to download music, more people would use illegitimate avenues. This is not rationalization, not justification, merely acknowledging the facts.
Does the RIAA have a legal right to rely solely on deterrance through punishment? Sure. Is this the smartest move they can make? No.
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May 30, 2005
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Darknet Series Continues
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Posted by Ernest Miller
Rex Hammock continues his series on "How Apple will change everything about Podcasting" with post #2 (How Much Could Howard Stern Make Podcasting via iTunes vs. Broadcasting via Sirius?). In this post he bashes micropayments and looks at business models in which podcasters act as buying agents for their listeners, providing them with music and getting a kickback (ahem, commission) from the fees the listeners pay. A very interesting model, whose basic idea I like. However, the current economics of paying for downloaded music ($0.99/track) make this most likely a non-starter.
At that price, how many tracks will I buy a month? Not many, perhaps a dozen or so. How will I allocate my buying agents, knowing that every bad choice they make essentially costs me a dollar? Not sure I'd be too experimental in such a case.
However, drop the price substantially and this starts to look much better. Might this not work with a voluntary alternative compensation scheme as well? Lower prices for higher volume?
Things to consider.
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Feeling Guilty About Free-Riding
Economics Professor Bryan Caplan discusses human reaction to people who give away free stuff on EconLog (Don't Do Me Any Favors). How is this relevant to copyright? Public goods problems are less of a problem than we usually think because people are inherently uncomfortable with free-riding. Our emotional constitution urges us to repay favors. This is one of the reasons I think the the private/public distribution distinction in copyright can work, if properly reinforced. It is this behavior that will help to shape appropriate copynorms. Read the whole thing.
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May 29, 2005
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No Cable HDTV for Microsoft for Now
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Posted by Ernest Miller
Over on Darknet, JD Lasica interviews Andy Wolfe, formerly CTO of ReplayTV (Interview: Andy Wolfe, former CTO, ReplayTV). The interview is incredibly good. Highly recommended: Read the whole thing. A small sample: Thats why we were amazed there was such rigamarole around this. We sold 60,000 of these things. ATI sells a million cards a year that lets you record shows and attach it to your email. They still do. Sony sued us, but they let you record stuff on your Vaio and burn it to DVD and email it to anyone. AOL lets you attach a show to Instant Messaging. Its amazingly hypocritical, with these companies and their software that are out there and can do all this stuff on the PC, they took it for granted, but when we came up with this device that ordinary people could use, they panicked. [emphasis in original] Alright, I can't resist, another sample: We did a marketing study and found that two things were in high demand: porn, and Bollywood, because Indian films are not widely distributed in the U.S.
Thats part of why this whole thing got a little threatening. We think that if there was a real service, that independent content would become an important part of that service. We didnt think people would sign up for a service if it only had independent content. Theyll sign up for Harry Potter or Terminator 3. Its the blockbusters that get peoples attention.
We got a call from churches who wanted to distribute their sermons on Sunday mornings by sending videos around. There are also surveillance applications. We found lots of people who were interested in building new things on top of this. We felt these other things would follow, but the entertainment had to drive it. [emphasis in original] For all you atheists and non-church-goers out there, if you're not familiar with how churches are using this technology, I suggest you go check it out. Many of them are really quite savvy.
Did I mention you should read the whole thing?
PS: The interview was conducted in June, 2003.
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May 27, 2005
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The Music Industry Will Continue to Suffer
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USA Today on Subscription Music Services
USA Today looks at some of the issues holding back music subscription services (Music-subscription Services Can Be a Good Deal). Renting can be complex, though, reflecting conflicts over digital rights. You'll have to buy tunes to burn them to a CD. But some songs can't be bought. Others can be streamed but not downloaded. Some can be downloaded but must stay tethered to a PC. And some can be downloaded and moved to a portable device. Got it? They need to fix these problems, of course, but when will there be a subscription service that bundles in a certain number of un-DRM'd downloads each month? via BillboardPressPlay
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May 26, 2005
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Europe Awaits Grokster Decision
Reuters reports on the various attitudes of Europeans as they await the outcome of the Grokster case (Europe Keeps Watchful Eye on U.S. Grokster Case). The decision is expected to have some influence on European policymakers, but how weighty it will be is unknown. Sony BMG's CEO, Andy Lack, is definitely in high spin mode: "'As I go around to the leaders of Silicon Valley, they're with us on that,' he said. 'They think Grokster is wrong. They want it shut down.'" via BillboardPostPlay
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RIAA Sues Hundreds More - Including Internet2 Users
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In Wake of Fed Raid on BitTorrent Site, Another Site Shuts Down on Its Own
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Posted by Ernest Miller
Joe Gratz makes a couple of good points regarding BitTorrent's addition of search capability (BitTorrent Opens Search Engine). However, I think this point may be the more important one: Until this point, Cohen [developer of BitTorrent technology] has been able to say and has said, repeatedly that BitTorrent is just a tool for distributing large files, and that he doesnt really know or care about the uses to which its being put. Cohen as the maker of a general-purpose data distribution tool is much easier to defend, as a matter of politics and rhetoric, than Cohen as a direct facilitator of infringing downloads. This is entirely apart from any legal arguments about the Betamax doctrine; I believe that it is simply a dumb rhetorical move to have this search engine come from the same organization that developed the BitTorrent software and protocol. [emphasis in original] If anything, Gratz may underestimate the importance of this point. The MPAA is already talking about people infringing through BitTorrent in an effort to smear the technology in the minds of the public (as well as legislators and judges). This may only ensure they succeed in tainting people's opinion of the technology.
UPDATE 1135PT
Ed Felten is concerned about this move as well (BitTorrent Search).
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May 25, 2005
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Om Malik on Yahoo! Music
Om Malik discusses the Yahoo! Music business model (The Yahoo Music Business Model). His conclusion? They might be able to make a profit through advertising if the subscriptions are free. Hypothetical scenario: what if Yahoo turned this into a free service, and decided to eat all the costs, that is $4.50 a month within days it would have more than 20 million users who will sign-up. $6.50 a month of advertising minus the costs of $4.50 every month, on every user means $130 million a month or $1.56 billion a year. Even with costs hovering around $1.08 billion, Yahoo could make some serious cash here. Has the record industry hoisted by its own petard? [emphasis in original] While I'm not sure that this model would actually work, the fact is that the extremely low price model changes the game significantly. It isn't quite there yet, but I think we can begin to see light at the end of the internet music tunnel.
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Posted by Ernest Miller
BoingBoing has pretty good coverage (though I couldn't get all of their links to work) of the Dept. of Homeland Security's takedown of the BitTorrent filesharing website EliteTorrents.org, which now prominent displays a message from the government: THIS SITE HAS BEEN PERMANENTLY SHUT DOWN BY THE FEDERAL BUREAU OF INVESTIGATION AND U.S. IMMIGRATION AND CUSTOMS ENFORCEMENT (First Criminal BitTorrent Bust in USA: Elite Torrents). The statement from the government claims that This morning, agents of the FBI and U.S. Immigration and Customs Enforcement (ICE) executed 10 search warrants across the United States against leading members of a technologically sophisticated P2P network known as Elite Torrents. Employing technology known as BitTorrent, the Elite Torrents network attracted more than 133,000 members and, in the last four months, allegedly facilitated the illegal distribution of more than 17,800 titles - including movies and software - which were downloaded 2.1 million times. Technically sophisticated? Maybe, but it doesn't take a lot of brains to realise that running a centralized BitTorrent site for 133,000 members makes you a big and relatively easy target for enforcers, whether Feds or the MPAA. Unfortunately, there is little more that we know at this time.
As I've noted before, you infringe copyright with BitTorrent at your own risk.
CNN report: Feds Bite BitTorrent
Slashdot: Feds Shut Down Elite Torrents
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Resurgence in Usenet Filesharing
WIRED reports on the resurgence of Usenet for filesharing using new software tools that permit automatic gathering of scattered posts as well as searching (Want the Sith DVD? Go to Usenet). Usenet was once a target of Hollywood. It can become a target again. I'm not so certain that it doesn't remain vulnerable to many of the tactics that Hollywood has used against other filesharing programs.
posted by Ernest Miller |
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Posted by Ernest Miller
Derek Slater points to a press release from p2p company RazorPop that claims similarities to Yahoo! Music and Napster and will also provide copyright infringement insurance to its users (File-Sharer Insurance? Huh?).
Read the press release: RazorPop Announces P2P Subscription Music Offering - Comprehensive Plan Protects Consumers And Can Pay Billions To Record Labels
Slater is completing finals, so he asks if anyone can fill him in. I can. It is all smoke and mirrors and a seemingly desperate attempt for attention. First off, there are no licenses from major record labels noted and it doesn't appear as if there are serious negotiations to obtain any: RazorPop offers [emphasis added - doesn't sound like they have any deals yet] music rights holders, including labels, composers, and publishers, a percentage of the subscription revenue, similar to licensing deals that have been entered into with iTunes and other centralized online music services. An independent clearinghouse will hold and disburse licensing fees. An industry research firm will sample network downloads and allocate payments among rights holders....
The music subscription launch is predicated upon execution of licensing agreements with music industry rights holders. [I won't be holding my breath.] RazorPop is providing a simple form agreement that can be executed electronically to expedite clearances and to avoid the need for regulatory intervention that would not be in the best interests of content owners or distributors. [Ooooh, I'll bet recording companies just can't wait to fill out an easy form agreement] RazorPop will not comment on the status of in-progress confidential negotiations, but music industry receptivity has been encouraging. [I bet.] The other interesting thing, of course, is the offer for copyright infringement liability insurance: The music subscription service includes copyright infringement insurance. The RIAA (Recording Industry Association of America) may continue to target non-subscribing P2P users with lawsuits, and inadvertently sue RazorPops paying customers. The insurance will be capped at $5,000 per subscriber, which is above typical RIAA settlement amounts to date. Who knows what the insurance covers, but the RIAA isn't the only copyright holder's group suing people. In any case, if there are licensing agreements, why would there be settlements that require insurance?
Finally, the whole idea of copyright infringement insurance is not a new idea, simply a bad one, as I explained in October 2003: Copyright Liability Insurance for File-Sharers: An Idea Whose Time Has Not Come and Copyright Liability Insurance: A Response to Dan Fingerman.
Sheesh.
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May 24, 2005
Posted by Ernest Miller
Thep2pweblog reports that the 20th Century FOX film studio is issuing notice and takedown letters targeted at those using BitTorrent to acquire copies of Star Wars: Episode III: Revenge of the Sith (FOX Issuing Takedown Notices to Sith Downloaders). The notices aren't coming from FOX directly, but from the P2P monitoring company BayTSP, which is apparently authorized to send such notices on behalf of FOX.
Jason Striegel comments on BoingBoing (FOX Issuing Takedown Notices to Sith Downloaders): I recently was forwarded a message from a concerned reader who was just served a copyright infringement notice for downloading Star Wars - Revenge of the Sith. FOX is going after small-time downloaders. Well, if they're using BitTorrent, then they're not just downloaders are they? They are uploaders as well. That is how BitTorrent works and why it is so efficient. You might have had a centralized tracker, but even that isn't necessary anymore ( Publication via BitTorrent Just Got Easier). How the heck is BayTSP supposed to figure out who is a small-time "downloader" and who isn't?
This may be essentially be for principle only (and the press it will get), but those who use BitTorrent to infringe copyright need to realize that they're not hard-to-track downloaders anymore.
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Full Employment for Chilling Effects as BitTorrent Adds Search
I'm a bit slow on the draw here, but WIRED reports that BitTorrent will soon launch a search engine (Next for BitTorrent: Search). Techdirt may be right on the money with their post, though I really think this is a full employment opportunity for ChillingEffects.org (How BitTorrent Plans To Get Sued). Of course, I'm not so sure how great the search engine concept is, here. BitTorrent is essentially a file transfer protocol. We don't really have FTP and GOPHER search engines do we? I'll probably be more interested in finding good BitTorrent feeds in the future anyway. Nevertheless, Bram Cohen is a clever fellow so we will just have to see how things go. I'll definitely be checking it out.
posted by Ernest Miller |
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Pirates, Sharers, Traders and Hoarders
Brother Dana Blankenhorn looks at a new form of behavior among filesharers: file hoarding (File Hoarders Get BitTorrent Win). I think the word hoarding says more about the motives of the users, and the way toward ending the practice, than anything else. Thanks in part to the industry's rhetoric, and in part to its actions, many lovers of music and other files are afraid they will lose access to the culture they crave. Thus they demand to have physical copies of its artifacts, and grab all they can. It's classic hoarding behavior. But time is the limit here, not space. You can only listen to one song at a time, watch one movie at a time. It doesn't matter how big your collection is, the only way to get enjoyment out of it is to play the files. If this is indeed an emerging copynorm, it may provide some clues as to potential future business models.
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May 23, 2005
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Patry on Grokster
William Patry moderated a debate on Grokster last Friday and discusses his take on the case (Grokster Debates). As is to be expected, his comments are insightful and well worth reading.
posted by Ernest Miller |
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Posted by Ernest Miller
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Lack of Convenience Leads to the Dark Side
DocBug recounts an episode of trying to find authorized Star Wars content and pay for it but failing and settling instead for unauthorized content that wasn't paid for (What Happens When Content Providers Make "Legal" Hard to Do...). I'm not justifying this behavior, but it is to be expected. The original Napster became popular at least in part because it provided something that wasn't readily available from an authorized source.
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Darknet: The Mini-Book, Week 2
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French Judges Say "Oui" to Filesharing
Looks like the international arms of the RIAA and MPAA have their work cut out for them in France, according to WIRED (Volez ce MP3! ): Now, in a widening rift, the powerful president of the French magistrates union has begun to openly advocate decriminalizing online trading in copyrighted works for personal use.
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May 22, 2005
Posted by Ernest Miller
BitTorrent goes Trackerless: In prior versions of BitTorrent, publishing was a 3 step process. You would:- Create a ".torrent" file -- a summary of your file which you can put on your blog or website
- Create a "tracker" for that file on your webserver so that your downloaders can find each other
- Create a "seed" copy of your download so that your first downloader has a place to download from
Many of you have blogs and websites, but dont have the resources to set up a tracker. In the new version, we've created an optional 'trackerless' method of publication. Anyone with a website and an Internet connection can host a BitTorrent download!
While it is called trackerless, in practice it makes every client a lightweight tracker. A clever protocol, based on a Kademlia distributed hash table or "DHT", allows clients to efficiently store and retrieve contact information for peers in a torrent. The barriers to publication just dropped another notch. Broadcatching and Podcasting became significantly easier. And, undoubtedly, the protocol will continue to be improved.
However, I'm not so sure about C|Net News' take (BitTorrent Enemies Face New Hurdle). Um, shouldn't the fact that publishing BitTorrents has become easier be the main story? Why the focus on copyright infringement? In any case, is it really true that this is a major setback to the anti-infringement groups? After all, BitTorrent remains one of the easiest ways to track infringement and sue the users.
Seems to me that C|Net News has bought the anti-BitTorrent propaganda of the anti-filesharing forces. Thanks, C|Net.
For the rest of us, we can celebrate another tool in the arsenal of free expression.
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May 18, 2005
Posted by Ernest Miller
Mark Cuban notes that, thanks to Yahoo's Music Unlimited service, the potential losses for infringement have gone way down - $600/decade of infringement (Yahoo Forces RIAA Staff Cutbacks
). Cuban makes the sensible suggestion that this should convince the RIAA to change tactics: Will they have the sense to say
Ok kid, you are about to get sued, which will mean we both spend money on lawyers, and then we kick your butt in court and you pay a multi-thousand dollar settlement, OR, you can sign up for any of the all you can eat music subscriptions, Rhapsody, Napster or Yahoo Music. Your choice. 5 bucks a month. Or thousands of bucks. You know, this idea has potential. You still need to add some deterrence, and there remains the question of permanent downloads and ownership, among other things ... but there is real potential here.
More importantly, I think the concept is very marketable, that is, compelling from a public relations point of view.
Slashdot discusses: (Cuban Says RIAA Damages Should be $5 Per Month).
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Scalzi to Critics: Frankly, My Dear, I Don't Give a *#$#@
Author John Scalzi responds to critics regarding his blog posting that he isn't worried about ebook infringement (Selling Science Fiction Books in 2005). His response?: However -- and I want to be very clear on this, so allow me to use some profanity to bring the point home -- in a very real and fundamental sense, I don't fucking care. Right now, it's 2005, I've got one science fiction book published and two more coming in the next twelve months, and my primary concern is selling those books in the here and now. Today I am looking for ways to get my writing in front of people, perchance to convince these fine people to purchase that writing. [emphasis in original] My original post here: How I Learned to Stop Worrying and Love Infringement.
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May 17, 2005
Posted by Ernest Miller
Prof. Eric Goldman on the Technology and Marketing Law Blog writes about Judge Patel's recent decision in the Napster investors case (New Ruling From Judge Patel in Napster Investor Suit). My post on that case here: Judge Patel Shoots Down Notion That the Right of Distribution Includes "Making Available". Read the decision: Memorandum & Order, Re: Plaintiff's Motion for Summary Judgement [PDF].
Goldman points out that a close reading of the decision indicates that Judge Patel hasn't yet determined whether 17 USC 106(3) (right of distribution) includes "making available." She has only determined that the Artists' Rights and Theft Prevention Act of 2005 didn't change the proper interpretation: I read Judge Patel's 5/11 order as simply saying she is not going to permit the Record Companies to file the supplemental brief, because she does not believe the ART Act has changed anything as to how Section 106(3) should be interpreted. In particular, I do not see any reference to a disposition of the underlying motion for summary judgment. My conclusion, then, is that the underlying motion for summary judgment is still pending, and she has not ruled whether or not maintaining the index of downloadable files does/does not infringe the copyright owner's distribution right. He's right.
It'll be interesting to see what Judge Patel actually rules, she may not have to reach the issue.
What is happening here is that the investor defendants are seeking summary judgement on the case by claiming that there is not sufficient proof of direct infringement by Napster's users, which means the investor defendants would not have tertiary liability.
What that means, is that the lawyers for the RIAA were bloody idiots because they didn't nail down evidence of direct infringement before launching the Napster lawsuit. It would have been almost ridiculously easy, but they didn't even bother to try, apparently.
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Ourmedia Surpasses 5,000th Upload Milestone
Ourmedia.org, which "provide free storage and free bandwidth for your videos, audio files, photos, text or software. Forever. No catches.", has surpassed its 5,000th upload in a little over two months of operation (Ourmedia.org Surpasses 5,000 Uploads). Congrats!
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Posted by Ernest Miller
A number of people have linked to the San Francisco Chronicle, which has published an op-ed touting government tax funded compulsory music licenses (High Stakes in the Music Business - Free Music Needn't be Stolen Music).
First, of course, is the argument that music is non-rivalrous. On the one hand, artists, creators and distributors deserve to be paid for their work, and it's in our interest to pay them if we want anything to listen to. On the other hand, the kids understand a central fact about digital media: listening to a song, even having MP3 files on their hard drives, doesn't leave any less of it for other people to enjoy. So, why only music? Why not all digital goods, such as film, video, and software? How come nobody talks about compulsory licenses for these other forms of media? If the important consideration is that they are non-rivalrous, why not?
The argument then moves on to an analogy with government sponsored parks and museums: Turning to the arts, we find the British have recently reduced museum admission prices to zero. There's been no mass closing of museums, curators are not enslaved, the maintenance people still get paid for their work and paintings are bought from artists and collectors just as before, because the government pays everyone's "admission price." But, gee, we've never had any major political tussels over the content of museums have we? Yeah, no one would ever be upset at a government-funded display of Serrano's works, or Mapplethorpe, or even of a museum display about the first use of an atomic weapon in war.
Interestingly, this potential problem in the design of such a system is never mentioned. Could it be that, like the Corporation for Public Broadcasting, politics would never, ever be a consideration in how the money is doled out and we certainly wouldn't have to worry about some version of the FCC fining or somehow censoring offensive works, right?
I wonder if the public hearings that seem to be proposed here would be at all politicized: What makes music tricky is knowing how much to pay for which song, but it's not impossible. After all, how do we decide if we should have another park or a bigger museum? Essentially, we see how many people are using them now, ask some questions in public hearings and editorial pages, and predict: If we build more, will they come? Monitoring is tricky, damned tricky, especially when you're talking about billions of dollars at stake. Preventing the system from being gamed and politicized (everyone download Pat Robertson's latest warble to put some $$$ in his pocket!) may not actually be possible. I certainly haven't been convinced that the government can do it without trampling on the First Amendment.
I realize this is a short op-ed, but, geez.
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May 12, 2005
Posted by Ernest Miller
Prof. Susan Crawford brings news of an interesting twist in the Napster investment litigation (Distribution (II)). In a 4-page order, Judge Marilyn Patel dismisses an attempt by the plaintiffs to bring in a new standard for the right of distribution, "by making it available on a computer network accessible to members of the public," which was added to US Code as part of the recently signed into law Artists' Rights and Theft Prevention Act of 2005, but deals with infringement of works that have yet to be published. Read Patel's order: Memorandum & Order, Re: Plaintiff's Motion for Summary Judgement [PDF]. From the order: If Congress wanted to make clear that the distribution right was broad enough to encompass making a work available to the public without proof of actual distribution, it is perfectly capable of doing so. Plaintiffs fails [sic] to identify anything in the legislative history of the ART Act, much less the statute itself, that suggests Congress' intent to clarify section 106(3) in such a manner. Instead, plaintiffs suggest that their "making available" interpretation of the distribution right is compelled by the fact the ART act imposes criminal liability on a class of infringing acts involving, inter alia, "the distribution of a work being prepared for commercial distribution, by making it available on a computer network accessible to members of the public." ART Act § 103(a)(1)(C). Thus, according to plaintiffs, Congress must have implicitly recognized that civil liability for copyright infringement should be at least as broadly construed as the criminal offense defined by section 103(a)(1)(C).
Whatever the merits of this argument might be in the abstract, it is largely academic in light of the actual language of the ART Act, which plaintiffs conveniently disregard. That language makes clear that willful copyright infringement and "making [the infringed work] available on a computer network" are separate elements of the criminal offense defined by section 103(a)(1)(C). Thus, regardless of the manner in which a court interprets section 106(3) of the Copyright Act for the purpose of finding copyright infringement, criminal liability under the ART Act cannot be imposed unless such an act of infringement is proven beyond a reasonable doubt. This is hardly persuasive evidence of what the words of section 106(3) mean in the context of a civil copyright infringement action.
In any event, the court does not believe that the 109th Congress' views would affect the outcome of this action even if it had explicitly commented on the scope of the distribution right in the course of enacting the ART Act. The Supreme Court has repeatedly emphasized that such subsequent legislative history "is a hazardous basis for inferring the intent of an earlier Congress." [citations omitted] ... That is certainly the case here. If legislative history is to inform the court's interpretation of the Copyright Act of 1976, it must reflect the views of the members of Congress who enacted that statute into law. The opinions of members of the 109th Congress are of little, if any, relevance to such an inquiry and need not be considered seriously here. Ouch.
This is very nicely and succinctly reasoned. Funny thing is, I think Congress should include "making available" as part of the distribution right. But then again, I think we should eliminate the right of reproduction all together, too. We certainly shouldn't expand the scope of the distribution right without balancing things out by narrowing or eliminating some of the other exclusive rights.
One also wishes the Judge Patel had spent a little more care with regard to the claims of direct copyright infringement in the original Napster case. Prof. Niels Schaumann does a good job of showing why the discussion wasn't sufficient: Schaumann on Direct Infringement in P2P.
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Posted by Ernest Miller
C|Net News reports that the MPAA has sued a number of BitTorrent sites directing people to television programs (MPAA targets TV download sites): The latest round of suits retains a focus on BitTorrent technology, which has been widely used online to distribute movies and films.
The suits are focused on the sites that serve as traffic directors for BitTorrent swaps, rather than on individual computer users uploading and downloading content. The MPAA also has sued individuals, but has not said how many people have been targeted.
The six sites sued Thursday include ShunTV, Zonatracker [Spanish], Btefnet, Scifi-Classics, CDDVDHeaven and Bragginrights. [links added] What took them so long? Of course, the MPAA isn't going after the people who actually make BitTorrent work, those that download/upload using the service. So, very likely, these lawsuits will ultimately be useless and have no effect.
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Posted by Ernest Miller
Prof. Niel Schaumann of William Mitchell College of Law has written an interesting paper looking closely at what sort of direct infringement P2P infringers are actually involved in (Direct Infringement on Peer-to-Peer Networks). From the abstract: Indeed, the alleged primary infringement of P2P users seems to be an example of a phenomenon one sometimes encounters in the common law: A case finds liability, with little or no analysis. A later case also finds liability, with no independent analysis, citing the first case. A third case does the same, citing the first two cases. Before long, the principle of liability is declared to be well-settled, despite an almost complete lack of reasoning supporting the principle. The so-called RAM copy doctrine, discussed below, is a good example of this phenomenon. Direct P2P infringement seems destined to be another: While Napster, the first of the P2P cases, at least briefly discusses the basis for the direct liability of Napster's users, later cases have done little more than mention that P2P users infringe copyright, as if it were self-evident. An important point, and while I sympathetic to much of Schaumann's article, there are a few points I am hesitant about, such as this blanket statement: The dominant use of P2P networks is to facilitate the personal copying of recorded music, an activity that in other contexts is indisputably legal. For example, copyright law permits Joe to borrow a CD of recorded music from his friend, Sally, take it home, and copy it to a digital or analog medium for his own personal use. The citation for this claim is 17 USC 1008, however, I don't believe that is as clear cut a claim. 17 USC 1008, which was part of the Digital Audio Home Recording Act (DAHRA), does privilege noncommercial copying, but that is only with regard to digital audio recording devices, digital audio recording mediums, analog recording devices, and analog recording mediums, such as DAT. It does not clearly apply to copying a CD to your computer hard drive, which is precisely why the RIO MP3 player was found not to violate the DAHRA. Moreover, there is the doctrine that by explicitly granting that right under DAHRA, the right didn't exist outside it, otherwise why the need for DAHRA.
Of course, I would argue that Schaumann should be right, and that personal use noncommercial copying should not be cause for infringement at all, period. Indeed, Schaumann argues that the bifurcation (DAT copying legal, MP3 copying questionable) is illogical. He's right, but since when has logic had anything to do with existing copyright law?
Schaumann's fair use arguments also seem a bit facile, that downloading is fair use: To summarize, the copies of musical works and sound recordings made by downloading P2P users should be protected under the fair use doctrine. The first factor is neutral; the second and third weigh in favor of fair use; the fourth weighs at most only slightly against fair use. I reproduce only his summary here, read his entire argument of course, but I'm not convinced.
Beyond my disagreements, however, Schaumann also seems to be heading in the direction of an argument that I've made time and time again. One of the key distinctions for Schaumann is between private and public distribution: "The important difference is that the Joes myriad internet friends make their collections of music available not only to Joe, but to anyone on the P2P networkin short, to the public." As I've said before, "share with friends, not strangers."
Schaumann also talks about the question of distribution in a bit more depth. Again, as I've said before, "it's all about the distribution." The fundamental question of copyright is not about reproductions, but the distribution of information. What does it matter if there are a bazillion copies of a work if they are not distributed? It is the distribution of information that should be the locus of copyright infringement. And, therefore, the question comes down to whether the distribution is public or private.
Schaumann's argument for consistency and precision apply in full force: If, however, content owners want to enlist the public to help control infringement, the industries must be willing to support propositions of copyright law that make sense to the public. Intelligibility begins with consistency. Content owners, however, have tried to substitute rhetoric of theft and piracy for intelligible rules. This will surely fail. Public understanding of the rules depends on precision and consistency in determining which rights are infringed by which activities. [footnotes omitted] Indeed. What could be simpler? Share with friends, not strangers.
via Legal Theory Blog
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DS/SF/FvL Copyfight Debate Continues
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Nesson's Grokster Manifesto
I'm not really sure what this means (are they launching a new project?), but Charles Nesson, co-director of Harvard's Berkman Center, has published a short "Grokster Manifesto" on his blog: We invite judges to help shed its corporate vestiges of babylon as it applies to open knowledge libraries. Grokster is a troublemaker for the dons of p2p. Our Code is Open, dont you see. The Open Library of Knowledge will distribute p2p torrents of information seeded in a mirrored ring data bases rooted in time and space as firmly as engineers can plant them. Our enterprise nonprofit. Wikipedia is our model.
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May 11, 2005
Posted by Ernest Miller
A lot of folks have taken notice of the recent complaints by former RIAA head honcho Hilary Rosen regarding Apple's iPod DRM strategy (Hilary Rosen Laments Apple's DRM Strategy). For another example, see this post on Hit and Run: iRony.
Like my original post, however, many have concentrated on the fact that Rosen was decrying the very DRM that she had been such a strong proponent of. Let us not forget, however, that Rosen was an enemy of MP3 players all together. Indeed, let us go back to those halycon days of 1998 when the RIAA went after the Diamond Rio MP3 Player. See, RIAA Takes Stand to Protect Legitimate Online Marketplace.
If the RIAA had its way, there wouldn't be any portable MP3 players. The only portable players you would be able to buy would play only DRM restricted tunes. In her most recent article, Rosen claims that, "If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod." Not even that would be possible, legally, if she had won the lawsuit she launched against the Diamond Rio.
For a conspiratorial (though logical) take on Rosen's post, check GoldSounds (RIAA attempts to fragment online music business).
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May 09, 2005
Posted by Ernest Miller
The LA Times (reg. req.) reports that the Feds, although they are putting more efforts into copyright infringement investigations and prosecutions, aren't pursuing P2P downloaders particularly vigorously, if at all (Crackdown on Piracy Hits Barrier): Backing up the threat is another matter. While federal prosecutors have made fighting piracy a top priority, to date they have been reluctant to go after the group the entertainment industry most wants targeted: people who illegally download from hugely popular online file-sharing networks.
"No U.S. attorney wants to be the guy who put a UCLA sophomore in jail for downloading Britney Spears," said George Washington University law professor Orin Kerr, a former federal high-tech crimes specialist. Hmmm, if Hollywood is all fired up about going after downloaders, why haven't they started suing them? Why are they waiting for the Feds to jump on that grenade? Seems like Hollywood is avoiding suing the downloaders even more than the Feds.
Of course, gathering evidence of downloading is difficult. You can go after the simultaneous uploader/downloaders on BitTorrent, but it is harder to get evidence against a smart P2P leech. Still, there are ways to do it, especially for those who think they can't be caught.
Methinks Hollywood just doesn't want to handle that PR disaster.
In any case, the article is quite informative. Read the whole thing.
via thep2pweblog
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Slater Defends the Middle Ground in the Copyfight
Last week, Derek Slater wrote an excellent post defending the middle ground of the copyfight (The Commoners' Common Platform): However, I am deeply uncomfortable with their excusing and encouraging widespread, infringing P2P file-sharing, and I particularly disagree with their doing so as a means to destroy the major record labels. I think that association with this stance poses the greatest danger to succeeding in the copyfight.We can argue that lawsuits against file-sharers will not reduce infringing file-sharing and, in turn, help provide sufficient compensation for artists (and rights holders). In that light, we can argue that the lawsuits are bad on the whole and that a VCL would be an optimal resolution. We should care about ensuring sufficient compensation, and we can do so without saying that we want to do whatever it takes to ensure it no matter the costs. We can recognize that not all file-sharing is harmful and that there is not firm evidence that it has already done significant harm. But we can say all that without supporting widespread infringement on P2P and, indeed, by actually saying, don't infringe. Not to say it without any nuance, but still to say in general, as Lessig is willing to do, "I have no patience for people who download music contrary to the wish of the original copyright owner. " Read the whole thing.
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April 07, 2005
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Hal Varian on Grokster
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April 06, 2005
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Looking at the College Market
C|Net News has an interview with the president of Cdigix, a company that specializes in providing subscriber music services to colleges (Extending an olive branch to file swappers?). Worth reading in order to understand the sorts of deals the recording industry is willing to make, as well as some of the other issues frequently cited here (such as the system's incompatibility with iPod).
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C|Net on Possible Judicial Inducement Test
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March 31, 2005
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Report from Down Under on Kazaa Lawsuit
Down in Oz, there has been an ongoing farce of a wild lawsuit brought against P2P company KaZaA by copyright holders. APC has a humorous look at the final days of the case (Daily Dispatch (Opinion): KazzaGate, Day 18:part 2). I'm definitely no fan of secondary liability for devices capable of substantial non-infringing use, but the clowns at KaZaA probably deserve everything they get. The CEO, supposedly, was only a management consultant with no ability to make decisions. The CFO/CTO didn't know who his boss was, apparently never had the occasion to ask; there was "no good reason as to why he would." Judge Wilcox: Ms Hemming is said to be not allowed to make any real decisions despite the fact she's CEO and nobody else comes forward and says, Look, I'm the person, the buck stops with me. It's amazing it seems to be a very successful business for which nobody has any responsibility. This is a serious problem, Mr Webb. The only person who is called [to the witness box] is a man who in effect says, I know nothing, I'm a good technocrat, I know nothing. And I'm left to make what I can of that. A must read.
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March 30, 2005
Posted by Ernest Miller
One of the best commentaries on the oral argument in the Grokster case, which was before the Supreme Court yesterday, comes from Timothy K. Armstrong, a DC appellate attorney/Harvard LLM student. Read the whole thing: A Few Notes from the Grokster Argument.
I found this passage particularly interesting: At least some of the Justices, Scalia in particular, seemed troubled by how an inventor would know, at the time of inventing, how its invention might be marketed in the future. How, some of the Justices asked MGM, could the inventors of the iPod (or the VCR, or the photocopier, or even the printing press) know whether they could go ahead with developing their invention? It surely would not be difficult for them to imagine that somebody might hit upon the idea of marketing their device as a tool for infringement.
MGMs answer to this was pretty unsatisfying. They said that at the time the iPod was invented, it was clear that there were many perfectly lawful uses for it, such as ripping ones own CD and storing it in the iPod. This was a very interesting point for them to make, not least because I would wager that there are a substantial number of people on MGMs side of the case who dont think that example is one bit legal. But theyve now conceded the contrary in open court, so if they actually win this case theyll be barred from challenging ripping in the future under the doctrine of judicial estoppel. [emphasis added] We don't have the actual transcript yet, so it isn't entirely clear precisely what MGM has admitted or what sort of estoppel would apply. However, if the gist of this exchange is true, then MGM has conceding something that Hollywood has been loathe to concede and I've never, ever heard them actually concede in public, let alone in a courtroom: that format-shifting or space-shifting outside the scope of 17 USC 1008 (which basically covers DAT and cassette tape players) is a lawful activity.
Now no one ever really expected Hollywood to go after people for ripping their CDs to an MP3 player. That would be foolishness on a grand scale, since courts are likely to expressly find such actions to be legitimate fair use. So they haven't. Still, they seem to base a lot of their legal theories and rhetoric on the fact that such space-shifting is illicit, particularly with regard to DVDs.
Ignoring the DMCA for a moment, if ripping your CD to MP3s is legal fair use space-shifting, why isn't ripping your DVD to DiVX also legal fair use space-shifting? What would be the principled distinction between the two types of space-shifting? I can't imagine one.
So, remind me of the reason for the DMCA again? It doesn't stop determined infringers and mostly keeps companies from selling devices to enable all sorts of lawful uses. And, if ripping a DVD is a lawful use, how is it that copyright protection turns it into unlawful "access"?
UPDATE 1000 PT - 31 Mar 2005
Constitutional Code also addresses this concession ( MGM's Concession and the DMCRA).
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Posted by Ernest Miller
Lots is being written about the Grokster oral argument yesterday. Copyfight is a great place to start: Supreme Court Worried About "the Guy in the Garage"; Scalia: How Can an Inventor Know How an Invention Will Be Marketed?; NYT on the Grokster Oral Arguments; and, Wait - There's More. Keep checking back for updates.
Rather than look at all the commentary, I want to look at a couple of places where some of the authors don't get it. Take, for example, Slate, which publishes a decent review of the argument but ends with this appalling analogy (Grok Around the Clock): Here's an illuminating analogy courtesy of Judge Richard Posner, who wrote the 7th Circuit decision in Aimster: If you open a massage parlor and hire masseuses who you know are really selling sex, then you're breaking the law. Maybe you think prostitution should be legal? Try telling that to the cops. Illuminating? Misleading is more like. The owner of the faux massage parlor will have the right (and duty) to police and inspect his employees and will likely be liable under the doctrine of respondeat superior. But Grokster doesn't have that sort of relationship with its users and that is precisely why the Ninth Circuit held them not liable for the infringements of their users.
A more apt analogy would be that everyone knows that 90% of "escort service" ads are essentially ads for prostitution, as are personals ads looking for "discreet, generous gentlemen." Clearly, such ads facilitate and materially contribute to prostitution and the newspaper owners know this. Yet the newspapers that run these ads aren't being hauled into court on pandering charges and if they were, I doubt the charges could be made to stick, unless the prosecutor could show actual knowledge as opposed to constructive knowledge.
Luckily, I think that most of the justices on the Supreme Court are more aware of the distinction than this author.
Let's just assume that in their hearts Grokster fully intends to profit from copyright infringement, they are the bad actors Hollywood says they are. The question is, on what basis do you prove it in court? How do you distinguish the bad actors from the "guy in the garage" who just thinks something is a cool new idea? That's the problem isn't it?
Not for the Washington Post's editorial board, which can, apparently, see into the hearts of bad actors (Not an iPod): But Grokster and StreamCast are not simply technologies that can be used for good or ill; they are technologies that were designed and marketed precisely so as to facilitate theft. Both companies positioned themselves to inherit Napster's user base when the courts ordered that company to stop permitting illegal file-sharing. Both have promoted themselves based on the wide variety of materials illegally available. And both have frustrated copyright holders' efforts to police their use. A company that builds its entire business model around facilitating illegality should not be immune from liability because of the possibility of innocent use. If Hollywood could prove this in court, then the case wouldn't be before the Supreme Court, most likely. And even if they could, what of the next Grokster that doesn't advertise at all? Isn't the end result that you have to ban the technology? Drawing a clear distinction between such a product and an iPod would protect both innovation and intellectual property. Well, yes, yes it would. Does the Post's editorial board have any such distinction in mind? Because lots and lots of smart people haven't been able to come up with one. One also notes that Hollywood thought the iPod was an evil product, back when it was called the Diamond Rio MP3 player. One man's innovation is another man's "Boston Strangler."
Of course, not all editorial boards are so clueless. Surprisingly, the LA Times which might be assumed to take a hard stance on Grokster has a balanced editorial (California's Civil War): It's worth noting that the lower courts haven't legalized unauthorized copying of protected materials. They simply applied the Betamax test and distinguished Grokster from Napster, the ill-fated file-sharing service that allowed users to illegally copy music on its own servers.
What the entertainment industry wants is veto power over technology with the potential to be used illegally. That's not in society's best interest. If those creating the peer-to-peer networks could be held liable for illegal activity, where do we draw the line? Why not go after the manufacturers of operating systems, hard drives and CD burners that can also play a role in illegal activity? Unlike the Washington Post or the New York Times, the LA Times notes what the case is not about, that is, it is not about legalizing direct infringement. Fancy that.
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March 28, 2005
Posted by Ernest Miller
Today, the New York Times (reg. req.) editorial board's lead editorial is on MGM v. Grokster. They manage to all but regurgitate Hollywood's talking points on the issue (When David Steals Goliath's Music): The battle over online music piracy is usually presented as David versus Goliath: the poor student in his dorm hunted down by a music conglomerate. It is easy, in that matchup, to side with the student. But when the Supreme Court takes up the issue this week, we hope it considers another party to the dispute: individual creators of music, movies and books, who need to keep getting paid if they are going to keep creating. Well, let's just confuse two issues here, shall we? Normally the narrative about college students being hunted down by Hollywood is about direct infringement; the college student is using P2P to directly infringe copyright. We can argue about that issue (I have no problem, generally, with the students being sued for direct infringement), but that isn't what the issue is in Grokster v. MGM. Even if Grokster prevails those students will still be liable. Grokster is about whether companies that make the tools that others use to infringe should be held liable for those other individuals' actions. At least 90 percent of the material "shared" on Grokster, and perhaps more, is copyrighted. Wow. Where did they get that statistic? Jack Valenti's talking points? And why did they just say "copyrighted"? Why didn't they use a statistic like 90 percent of the material shared infringes copyright? Perhaps because just because copyrighed material is shared doesn't mean it infringes? Many big entertainment companies are backing the suit, along with marquee-name musicians like the Eagles and the Dixie Chicks. But so are some creative professionals - represented by groups like the Authors Guild and the Professional Photographers of America - for whom even a few thousand dollars in royalties makes a big difference. Yeah, and how about the artists who support Grokster and for whom a few thousand dollars in exposure makes a big difference? The technology community has rallied to Grokster's defense. Its most radical members argue that "information wants to be free" online and disparage the whole idea of intellectual property. Straw man, straw man, straw man. Why not write that the MPAA has frequently stated that copyright should be "forever minus a day" and that "fair use" isn't a right? There are extremists on both sides (more in Hollywood, I would imagine) but it is a mere rhetorical trick to mention only one side's extremists, especially since the Supreme Court isn't going to decide whether or not copyright should be abolished. The legal case against Grokster is far from a slam-dunk, and we have been wary of it in the past. The court ruled, in a landmark 1984 case, that Betamax video recorders were legal even though they were used to copy copyrighted material, because they had significant legal uses. It is true that there are legal uses for Grokster - not every file exchanged is copyrighted. But it is notable how much illegal use predominates, and how much its business model relies on theft. Wary of the argument in the past? Where is the wariness now? How does the editorial board propose to distinguish between a future good VCR and a future bad P2P program? The founders wrote copyright protections into the Constitution because they believed that they were necessary for progress. Movies, music and books require investments of money and time. If their creators cannot make money from them, many will be unwilling or unable to keep producing. Or they may have to finance their work in troubling ways, like by building in product placements or taking money from donors with agendas. Grokster is not going to determine whether copyright exists or not. And, uh, hello ... there already seems to be a lot of product placements in current works and plenty of copyright holders are already taking money from donors with agendas. Guess what? For a variety of reasons (such as the death of the myth of objectivity), such things will continue to increase whatever the decision in Grokster. Grokster's supporters are justified in worrying that if the courts are too quick to rein in new technology, innovation can be stifled. They are also right to point out that copyright has sometimes been given too much protection, notably in the Copyright Term Extension Act, which gratuitously added 20 years to existing copyrights. But these concerns do not erase the continuing importance of intellectual property, which is unquestionably under assault. Again, how does Grokster erase the continuing importance of intellectual property? How does the editorial board propose prevent overly stifling innovation, what they admit is a legitimate concern? It is easy to say, but very hard to do in practice. See, the INDUCE Act. Both the court and Congress should be sensitive to evolving technologies. But they should not let technology evolve in a way that deprives people who create of the ability to be paid for their work. That is sort of a blanket statement isn't it? There are lots of technologies that deprive people who create of making money for their creation. The VCR, for one. The VCR is used to infringe copyright, which it seems, automatically takes the money out of the hands of creators. Should the evolution of the VCR have been stopped? Brilliant editorial New York Times, bravo. Cheap rhetorical tricks, unsubstantiated statistics, and complete lack of an actual solution. Is there any error that wasn't made?
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March 02, 2005
Posted by Ernest Miller
Copyfight is hosting a number of posts regarding the various amicus briefs filed on behalf of the Grokster respondants. See, Grokster Ass-Kicking Commences, Venture Capital Speaks, Intel: If Betamax Ain't Broke, Don't Fix It, Berkman Profs: Betamax Ain't Broke. If There's a Problem, Let Congress Help, Media Profs on Grokster: Don't Forget Fair Use, and Eben Moglen & Co. on Grokster: Look Past the Rhetoric. Keep checking back for more.
I haven't read them all, yet. However, I have read the brief from Berkman (Brief of Amici Curiae Internet Law Faculty in Support of Respondents [PDF]). The brief is in three sections. The first part is a description of innovations that would be threatened by a new secondary liability standard as well as a takedown of two of the main academic arguments in favor of Hollywood's position from professors Lichtman, Landes and Arrow.
The second section is an argument that there are business model solutions to the P2P problem, such as Apple's iTunes. Indeed, there is a business model solution. However, one argument that isn't frequently made is that the secondary liability standard that Hollywood promotes has perverse incentives. If, as they argue, technologies should be liable based on the prevalence of infringing activity using the technologies, the incentive is for Hollywood to passively encourage infringing content in order to gain control over the infringing technology.
Imagine the VCR. What if Hollywood had, as they originally did, continued to price pre-recorded videotapes at well over $100 a piece (instead of <$20 as they do now)? Well, there would be a lot more videotape piracy as people would be unable to easily afford to purchase them.
Now consider P2P. What if there were no iTunes? What if there were no Napster 2.0? Or what if there were, but they charged outrageous rates such as $50 per downloaded album (and you could only download albums)? Wouldn't there be even more copyright infringement on the internet than there is currently? If Hollywood has its way in Grokster, wouldn't their incentives be to resist new technologies until they had a court determine the technology was primarily used for infringement and thus subject to their control?
Am I paranoid, cynical or realistic? (Or, and rightfully so, all of the above?)
The third part of the professors amicus makes the point that there are alternative means to handle problems with copyright, and that Congress should be the one to do so.
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November 09, 2004
Posted by Ernest Miller
I am happy to announce the launching of a series of interviews I am conducting for Corante called the Future of Digital Media: The Future of Digital Media is a two-month series, sponsored by Orb, that explores how the empowerment of the consumer over his or her media experience, coupled with the technological innovation that's broadly democratizing media creation, is leading to a revolution in the way people access, consume, share and remake content.
Through interviews with leading commentators and cutting edge practioners, the Future of Digital Media examines the social, legal and economic impacts of this disruptive and revolutionary change. The first interview, with Jeff Jarvis, is here: The Future of Digital Media: Jeff Jarvis.
Need I say ... read the whole thing.
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November 07, 2004
Posted by Ernest Miller
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November 05, 2004
Posted by Ernest Miller
Prof. Susan Crawford warns that the state attorneys general are considering supporting the MPAA's and RIAA's petition for certiorari in the Grokster decision, which held that P2P filesharing software providers were not liable for the copyright infringements of their users (Call Your State Attorney General). Certiorari is basically asking the Supreme Court to hear the case. If the supremes don't grant certiorari, the decision stands.
You have until 5pm TODAY, to let your Attorney General know that you oppose them supporting Hollywood's attempts to overturn the Sony/Betamax decision: What's happened is that AGs are politely circulating a brief supporting a grant of cert. -- probably very few of them know what the larger issues are, and probably most of them believe that Grokster is a bad guy who should be punished.
All you have to say is: "This is not an issue you should get involved in. What's really going on here is that the studio plaintiffs are trying to overturn Sony. Overturning Sony would have serious and damaging implications for the high-technology industry in our country -- an industry that contributes enormously to our national economy. Don't sign on." Handy list of phone numbers here: Full Contact List for the Attorneys General
Call your AG ... call now.
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November 04, 2004
Posted by Ernest Miller
The hot copyright news today is that the MPAA has finally deigned to get into the trenches with the RIAA and sue individual infringers, according to an AP wirestory published in Silicon Valley (Movie industry to sue file sharers).
If I were the RIAA I would be asking, "what took you so long?"
But, I'm not the RIAA, so I ask, "where's the carrot?" I'm a big proponent of the carrot and stick approach to combatting filesharing. I recognize that no matter what the filesharing plan, there is going to have to be a stick if there is going to be copyright. However, sticks alone are seldom effective, and certainly not in this case.
For the longest time, Hollywood has believed that they can get away with a stick alone, if they were permitted to use it to beat up on third parties, such as the developers of filesharing technology. With the Grokster decision and failure (for now) of the INDUCE Act, that strategy clearly isn't going to work.
The other stick alternative, obviously, is to sue the infringers themselves. However, there are too many of them and the PR backlash is terrible. Which brings us to the carrot. Make legal filesharing more attractive and illicit filesharing becomes much less attractive. Indeed, I can imagine a tipping point in which so many people abandon the illicit networks for the licit that the stick becomes much more effective. But hey, that's just me.
Of course, the much smarter members of the MPAA don't believe in carrots. And, to the extent that they support carrots, they are the weak, anemic, pseudo-carrots of things like iTunes, according to the LA Times (annoying reg. req.) (MPAA Plans Suits to Stop Film Piracy): Suing individuals may prevent some from downloading, but "Fight Club" producer Ross Grayson Bell said the bigger effort should be in providing legal ways to buy movies on the Internet. The right model, he said, is Apple Computer Inc.'s iTunes Music Store, which enables users to download songs quickly and at a reasonable price. The iTunes model would have been a good start several years ago, but it too little, too late in 2004.
How late? Pretty darn late, but the executives at the companies behind the MPAA don't care, apparently: Gordon Paddison, an executive vice president at Time Warner Inc.'s New Line Cinema, counters that suing users of file-sharing networks is one way to build awareness among the company's main base of customers, 18-to-26-year-olds, who have grown up thinking that free downloading is acceptable.
"How do you get the genie back in the bottle?" he asked. "Unfortunately, it will take a considerable amount of pain." [emphasis added] Paddison, the pain you feel may be your own.
For other commentary: - Defamer: MPAA Ready To Sue Pirates
Glickman took a reflective pause before explaining, "See, the way it works is we dangle the carrot, then when a file-sharer reaches for the it, we wiggle the stick so they know what we're packing, We ask them, 'Are you sure you want to do that? Didn't you see the stick?' And if they insist on going for the carrot, we beat them to death with the stick, you know, just until we can see a little brain through the skull. That's why you need the stick and the carrot both. It's really hard to kill someone with a carrot." Slashdot: Movie Industry to sue File SharersCopyfutures: The MPAA Will Follow SuitThough the comment we can probably all agree on, is that of GuyMannDude who noted that most people don't have much to worry about until the Porn Industry Movie Producers (PIMP) starts coming after people.
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October 08, 2004
Posted by Ernest Miller
By complete coincidence, the day after the INDUCE Act died (for now), the MPAA and RIAA filed a petition for a writ of certiorari with regard to the MGM v. Grokster decision: QUESTION PRESENTED
Whether the Ninth Circuit erred in concluding, contrary to long-established principles of secondary liability in copyright law (and in acknowledged conflict with the Seventh Circuit), that the Internet-based file sharing services Grokster and StreamCast should be immunized from copyright liability for the millions of daily acts of copyright infringement that occur on their services and that constitute at least 90% of the total use of the services. Um, okay.
More later, when a PDF or other easy-to-read document is available.
UPDATE 1215 PT
Here is the 46-page document: MGM v. Grokster: Petition for a Writ of Certiorari [PDF].
UPDATE 2 1240 PT
Public Knowledge has issued a press release: Public Knowledge Statement on MPAA Petition to Supreme Court
Background: The Motion Picture Association of America (MPAA) has asked
the U.S. Supreme Court to review the Ninth Circuit /Grokster/ case, in
which a peer-to-peer service was not held liable for copyright infringement.
Statement of Gigi B. Sohn, president of Public Knowledge:
There is no reason the Supreme Court should review the /Grokster/
decision. That case was based on the principles established in the 1984
/Betamax/ case, which has lead to the largest and most profitable period
of technological innovation in this countrys history. Consumers,
industry and our country have all benefited as a result.
The Betamax case was good law in 1984 and remains good law today.
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August 26, 2004
Posted by Ernest Miller
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August 19, 2004
Posted by Ernest Miller
The Ninth Circuit has upheld the district court decision in Grokster. Read the 26-page decision: MGM v. Grokster [PDF] . Read it. The decision isn't really all that long, it is single column formatted with 8 pages of administive gobbledygook.
A quick read of opinion leads me to think it a great decision that shows a deep understanding of technology and the public policy behind what the decision calls Sony-Betamax. This decision also demonstrates a better understanding of the Napster decision than the court that wrote it, I think, putting it into better context, certainly.
Other coverage (UPDATED 1120PT, 1150PT, 1220PT, 1245PT, 1255PT, 1340PT, 1400PT, 1525PT, 1800PT):
The man who argued the case, Fred von Lohmann, discusses it - read! (More on MGM v. Grokster Ruling).
EFF's press release (EFF Scores Landmark Win for P2P).
Jason Schultz on Copyfight (Powerful Language from the MGM v. Grokster Decision).
Cory Doctorow on BoingBoing ( EFF wins Grokster! Software doesn't have to be easy for Hollywood to wiretap!).
Techdirt (Appeals Court Rules For Grokster).
Ed Felten (Grokster Wins in Appeals Court).
Joe Gratz discussed the issue over dinner last night with blogger luminaries and they agreed this would increase pressure to pass the INDUCE Act (Dinner). More from Gratz on the recurring trope in the case (Victory).
Eugene Volokh (he disagrees about whether P2P "materially contributes" to infringement (Grokster).
Chris Cohen ( The EFF has won the Grokster case!!!).
Andrew Raff on IPTABlog (Ninth Circuit Affirms Grokster Ruling).
Andrew Raff on the INDUCE Act Blawg (Ninth Circuit Affirms Grokster).
Siva Vaidhyanathan points out the decision's extensive reference to the band (Wilco Saves the Day).
Ars Technica (Appeals court upholds legality of P2P software).
Seth Finkelstein analogizes this decision to the LaMacchia case that resulted in the No Electronic Theft Act (MGM v. Grokster appeal victory, and The INDUCE Act Cometh).
Frank Field notes that everyone seems to agree on the key paragraphs in the decision (9th Circuit Affirms Grokster).
Patent attorney Dennis Crouch thinks the opinion is well-written (Grokster not liable).
Dan Gillmor hopes the logic of this decision spreads (Important Copyright Ruling Favors Freedom).
P2P United's press release after the jump.
Slashdot (Your Rights Online: Grokster Wins Big in Ninth Circuit).
American Constitution Society (9th Circuit Panel Allows Peer to Peer File Swapping).
Scrivener's Error has some good points to make ([Expletive Deleted] Headline Writers).
Tim Wu, Lessig's guest-blogger, promises analysis here (Grokster Wins).
The Trademark Blog has the best headline (Grokster Advances To Finals).
Public Knowledge's press release (Public Knowledge Statement on Ninth Circuit Decision in the Grokster case).
Derek Slater does a little cleanup (Grokster Leftovers).
IP News Blog (The EFF wins Grokster; A good day with possible consequences?).
Tim Wu, again, on the possibilities of Certiorari to the Supreme Court (Cert.?).
Technology Liberation Front (Don't Get Too Excited).
Wendy Seltzer (MGM v. Grokster: 9th Circuit Affirms Software Makers Not Liable).
Mainstream Press Coverage (Added 1130PT, 1145PT, 1245PT, 1400PT, 1525PT, 1800PT) - They finally get in the act:
C|Net News (Judges rule file-sharing software legal).
Reuters (Court Deals Blow to Movie Studios).
AP (Court: Grokster, StreamCast Not Liable).
WIRED (P2P Services in the Clear).
LA Times (reg. req.) (Studios Lose Round in File-Sharing Battle).
The Register (Court tells RIAA and Congress to let P2P software thrive).
Internet News (P2Ps Score Landmark Legal Victory).
PC World (Peer-to-Peer Companies Win in Court).
Mercury News (Federal appeals court rejects attempt to shut down music file-sharing networks).
Below a few highlights and possible impacts regarding the Inducing Infringement of Copyrights Act (IICA, née INDUCE Act) ...
...continue reading.
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August 13, 2004
Posted by Ernest Miller
Three weeks ago or so, I took OutragedModerates.org to task for poor use of P2P for public domain document distribution (Outragedmoderates.org - Not the Most Impressive Use of P2P). Since then, OutragedModerates has made a number of changes, for example noting the spyware problems with certain P2P software distributions and adopting more efficient and effective technologies for P2P distribution such as BitTorrent.
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August 08, 2004
Posted by Ernest Miller
Marginal Revolution points out an interesting confluence of interests in the copyfight (Cultural diversity and copyright). Traditionally, many countries attempting to control cultural influences have had quota systems for cultural imports. Countries, such as France, would permit only so many American movies, for example. Hollywood has, of course, strongly opposed this and pushed for cultural products to be regulated like any other import. Until now, cultural products have basically been more or less exempt from free trade agreements.
Of course, this does not mean that the demand for American cultural products went away. With the advent of the internet, people in countries with cultural quotas are accessing American culture by downloading it through P2P programs. To stop this leakage, countries such as France are cracking down on filesharing, which Hollywood likes. However, without their desired cultural products quotas, it is unclear how much interest countries like France would have in regulating P2P.
Interesting, and revealing about how copyright enforcement is a tool of cultural control.
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August 06, 2004
Posted by Ernest Miller
...continue reading.
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August 05, 2004
Posted by Ernest Miller
The Washington Post (annoying reg. req.) reports that state attorneys general are rather unhappy with the illegal activity taking place through email networks (States Warn Email Providers): More than 40 state attorneys general are set to warn major email providers that they may face enforcement actions if they do not take steps to stem illegal activity on the networks, such as the emailing of child pornography and stolen movies and music.
In a letter to the heads of Microsoft, Google, Yahoo!, AOL, and the Apache Software Foundation, the attorneys general write that email software "has too many times been hijacked by those who use it for illegal purposes to which the vast majority of our consumers do not wish to be exposed." Oh, wait, that didn't happen. Instead, the state attorneys general warned "major peer-to-peer file-sharing networks" and the WashPost's article was titled "States Warn File-Sharing Networks." The companies warned were Kazaa, Grokster, BearShare, Blubster, eDonkey2000, LimeWire and Streamcast Networks. Heck, I'm surprised the attorneys general were smart enough not to send a letter to "Gnutella" at 1 Protocol Lane.
But given their condemnation, why shouldn't the state attorneys general condemn email and FTP as well? An awful lot of child porn is shared via email. Shouldn't email providers be doing more to stop it?
Unfortunately, the article doesn't provide the letter and there isn't enough information to know what, exactly, has the state attorneys general upset and what they expect P2P networks to do about it. One thing we do know, the state AGs don't like privacy: The state officials also ask the networks to stop adding encryption features to their networks that they say prevent law enforcement agencies from policing the networks to determine whether they are aiding illegal activity.
The encryption measures "only reinforce the perception, as well as the reality, that P2P technology is being primarily used for illegal ends," the letter says. In related news, the state AGs noted that people who exercise their constitutional rights, such as the right against self-incrimination, "only reinforce the perception, as well as the reality, that civil liberties are being primarily used for illegal ends."
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August 04, 2004
Posted by Ernest Miller
USA Today publishes an AP wirestory about the recent prosecution of a copyright infringer who was a member of the warez group DrinkorDie (Washington state man sentenced for copyright infringement). In return for no jail sentence and a $6,000 fine, the defendant provided information on other member's of his group: Burns departed from minimum sentencing guidelines of 33 to 41 months imprisonment, noting Myers' cooperation in exposing and breaking up several warez groups. Another reason why darknets will be invulnerable to legal attack. If you keep them small, you'll be safe, but subject to the social controls of the group. If they grow too large, they'll become vulnerable to legal attack.
Darknets will be a significant part of our filesharing future, I believe, but they won't be perfect substitutes for the current, open filesharing networks. Ultimately, I think they will be supplemental and complimentary to licensed filesharing networks.
via BNA's Internet Law News
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Posted by Ernest Miller
WIRED's Xeni Jardin reports on P2P Congress, a new project dedicated to making congressional hearings available through P2P filesharing networks in order to reduce bandwidth costs and engage citizens in democracy (Group Wants to Induce Downloads). P2P in this case stands for "Patriot to Patriot."
The government webcasts some of it hearings, but doesn't make them available for later viewing over the internet. Wouldn't want the people to have too much access to information about what the government is doing, I guess. So, the people will make the hearings available, but bandwidth is expensive, so it makes sense to share the bandwidth costs. Enter the latest peer-to-peer filesharing networks, which can effectively share the bandwidth costs of democracy. Frankly, I'm disappointed that the US government isn't using these technologies to reduce bandwidth costs for the taxpayer.
The first hearings available are, of course, the Senate Judiciary Committee hearings on the Inducing Infringement of Copyrights Act (IICA, née INDUCE Act). Why? Because the INDUCE Act intends to make this democracy-enabling technology illegal.
Join the network, share the load.
Want to know more about the INDUCE Act?
Please see LawMeme's well-organized index to everything I've written on the topic: The LawMeme Reader's Guide to Ernie Miller's Guide to the INDUCE Act.
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July 30, 2004
Posted by Ernest Miller
Jeevan Jaisingh is an assistant professors in the Dept. of Information and Systems Management at HKUST Business School in Hong Kong. He has recently published a very interesting paper on SSRN. Link to the 24-page paper here: Piracy on File Sharing Networks: Strategies for Recording Companies.
Here's the abstract: In this paper we study the impact of selling music as downloads, on piracy, and the strategies recording companies should adopt to increase profits. We find that total music sales and profit of firm is higher, and total piracy (demand on file sharing network) is lower, when the firm sells a downloadable version. We look at the firm's optimal choice of Digital Rights Management (DRM) protection, and find that revenue decreases with increased protection, and so it is optimal for the firm not to employ any DRM, in the absence of network effects. Listening to music or watching video protected by DRM is cumbersome to users. They have to download license files, there are restrictions on the number of times the file can be copied, and restrictions on the type of devices that can play the file. As a result there is a disutility to the legal consumer, because of which the firm charges lower prices. Loss in revenue due to decreased prices cannot be compensated by the increase in demand, and hence revenue decreases with higher protection. When network effects (NE) is high, and a nominal search cost is above a certain threshold, then non-zero protection becomes optimal. This result is exactly the opposite of what was found in previous research (Conner and Rumelt 1991), where protection was found to be optimal in the absence of NE, and zero protection was optimal if NE is high enough. Having read the paper, there are a number of questions I have about some of the assumptions and models, but overall it is a very engrossing paper.
There are also some interesting asides as well. For example, The German media conglomerate Bertelsmann has announced recently that it is to begin offering nofrills and luxury versions of CDs in a bid to combat piracy. Bertelsmann will offer three versions of its CDs, a =9.99 version, with only the title printed on the disc and nothing else; a =12.99 version, which will look like a regular CD, with a cover and liner notes; and a deluxe version costing =17.99, which will include video clips and other additional material (Philips 2004). This provides anecdotal evidence which supports our result that versioning is an appropriate strategy to fight piracy. The versioning we considered was providing a no-frills version through downloads, while the strategy Bertelsmann is adopting is providing a "no-frills" version of the CD, however the intuition for both is the same. Bertelsmanns record label, BMG, hopes that the move will boost sales by up to 25 per cent (Philips 2004). Definitely a paper I'd like to see some responses and extensions to. A highly recommended copyfighter read.
via Legal Theory Blog
Comments (2)
+ TrackBacks (0) | Category: Digital Rights Management | File Sharing
July 28, 2004
Posted by Ernest Miller
C|Net News is running a very interesting story about a new blog that is posting military and military-related information supposedly found on P2P filesharing networks (Are P2P networks leaking military secrets?). The blog is See What You Share on P2P. The purpose of the site is explained here: Why This Site Exists. A few months ago, I downloaded some military briefings from the Gnutella Network. The briefings were zipped and the file contained 21 documents with classifications ranging from For Official Use Only to Secret/NO FORN. Shocked at my discovery, I notified an agency on a nearby military installation. When nothing happened, I notified another agency. I continued this course because no action was taken and for a nation at war, I was concerned for the safety of our soldiers.
It may appear that I am picking on certain institutions. This is true. I want everyone to know that we can be our own worst enemies when we dont understand the full power of our technology. I want every military and government agency to see first hand what is being shared with anyone who has a computer. Since a picture is worth a thousand words, I can save myself some talking. This is not surprising. Nor, I'm sure, is the information inadvertantly shared solely related to military and emergency services. There are probably a number of corporations that would be surprised what files are available for the downloading.
This is a real problem. However, it is properly a computer security issue, not a P2P issue, as the website's owner misleadingly claims, "Technology often outruns legislation. So is the case with Peer 2 Peer networks. Many people obtain P2P software so they can download music or movies. A large number of those people do not have any idea what they are sharing." Note the reference to legislation. Of course, the RIAA, among others, often makes this point and requests more regulation, such as the Inducing Infringement of Copyrights Act (IICA, née INDUCE Act). However, is it really the technology so much as unfamiliarity with the security issues involved?
I remember some of the earlier days of email and how people would accidentally "reply all" or forward to mailing lists information they shouldn't. Still happens, actually. Does that mean we need more regulation of email? The default settings for certain operating systems leave plenty of security holes for accessing information on a network-connected computer. Do we need operating system regulation?
See What You Share on P2P is doing a fine service alerting people (and especially gov't officials) to the security problems their networks have. However, to characterize it as a P2P problem, as opposed to a security problem, is incorrect. We all need to be more familiar with the means and necessity of protecting certain types of information on our computers.
Want to know more about the INDUCE Act?
Please see LawMeme's well-organized index to everything I've written on the topic: The LawMeme Reader's Guide to Ernie Miller's Guide to the INDUCE Act.
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+ TrackBacks (0) | Category: File Sharing | INDUCE Act | Security
July 27, 2004
Posted by Ernest Miller
C|Net News reports that the RIAA has won a significant battle in its lawsuits against thousands of John and Jane Does (Judge: RIAA can unmask file swappers). The ruling basically allows the RIAA to subpoena (on an expedited basis) a broadband provider for the identities of the John Does the RIAA has sued for copyright infringement. The RIAA must make a prima facie case of infringement, but the various arguments raised to quash subpoenas were rejected.
Although this is a decision by a single district court, it is likely to be persuasive in other courts though it isn't binding. Read the 26-page decision: Sony v. Does 1-40 [PDF].
The most important argument involved the First Amendment right to anonymity of the file sharers. While the judge recognized the First Amendment interest, he concluded that it was not sufficient to protect anonymity for filesharing of copyrighted files without any additional speech. This was the right decision. I agree with Paul Levy: Paul Levy, an attorney at the nonprofit group Public Citizen, said that "the nice thing about the ruling is that (the judge) recognizes the First Amendment interests at stake here and he applies a balancing test." Levy, who filed a friend-of-the-court brief opposing the RIAA, said that Chin's analysis ensures that companies filing a copyright infringement lawsuit must prove they have a real case and aren't merely on a fishing expedition for someone's name. The court reserved the right to address the other arguments, such as personal jurisdiction and improper joinder, later. This decision merely addressed the question of quashing the subpoenas. Now that the RIAA knows who it should sue, severance and and personal jurisdiction arguments will probably be made on behalf of the defendants.
There was one interesting aspect of the personal jurisdiction question. Defendants/amici were arguing that the IP/geographic location databases were accurate and showed most of the defendants outside of New York, while the plaintiffs were arguing that they weren't accurate enough to deny the subpoenas: A supporting declaration by Seth Schoen, staff technologist with amicus curiae Electronic Frontier Foundation, explains the process by which defedants' IP addresses can be matched up with specific geographic designations, using a publicly available database operated by the American Registry for Internet Numbers. These geographic designations indicate the "likely" locations of the residence or other venue where defendants used their Internet-connected computers. Amici maintain that as many as thirty-six of the forty Doe defendants are "likely" to be found outside of New York.
Plaintiffs, however, dispute the accuracy of the methods described in the Schoen Declaration. According to plaintiffs, the geographical designations fall "far short" of 100 percent accuracy and are "often extremely inaccurate." [citations omitted] Shades of Nitke v. Ashcroft, in which the government advocates the use of geolocation services to promote community standards on the internet with regard to obscenity. Censorware expert Seth Finkelstein has provided testimony that such services are flawed: ( Expert Report of Seth Finkelstein in Nitke v. Ashcroft).
UPDATE
Tech Law Advisor has some additional comments ( Up/Downloaders Identities Not Protected by First Amendment).
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